Archived posting to the Leica Users Group, 1997/03/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi Ted, As I recall, you have a web site. Do you have any pictures that display the special qualites of the Noctilux on it. If you do, please provide me with the address. - --ADi 3:40 PM 3/22/97 EST, you wrote: >Adi wrote: > ><<I was wondering if anyone out there knows anything about the 50mm >Noctilux-M, like what is so special about it, what it has been corrected >for, perfromance at max and various apertures, and comparision with the >Summicron or even the Summilux 50's.>>>> > >Hi Adi, >A couple of things and I'm sure you'll get an armpit of statistics, however this >is from real time experience and I've been using one since the lens came out. > >I use mine for my documentary work with the medical profession in B&W and >shooting some advertising assignments where I shoot available light colour. At >light levels where others fear to tread without a bunch of lights being added to >the scene. You have to see the results as it can't be explained in technical >terms, but that doesn't mean diddly squat any way, as all that counts is " do >you want to shoot and capture images you otherwise couldn't with any other >lens?" > >1/ the Noctilux is made to be used wide upen at f.1 and if you don't intend on >using it under critically low light levels, save your money and buy something >else. > >2/ It will give you results of a pleasant ethereal look, and again I say when >working wide open or stopped down one stop. Preferably wide open. > >3/ backgrounds become a mush of totally out of focus colour or b&W shades of >gray. Gorgeous effect! > >As far as other stops, who cares! This is a lens made for next to nothing in >light levels you can't imagine shooting under and having a correct exposure. > >ted > > > > > > > >