Archived posting to the Leica Users Group, 1997/11/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 04:38 PM 11/29/97 -0800, you wrote: I can agree that for magazine repro, a 6x7 will get you all the quality you ever need. But you are kidding yourself if you think there isn't a significant quality improvment when you go to 4x5, in tonality alone. You can make a good 11x14 from 35mm negs, even a 16x20, but for an image with great detail, perhaps a landscape with a wide angle lens, you can only resolve every leaf and branch, every rock, with a 4x5 original. Tom >which leads to the conclusion that for printing on a printing press of >almost any magazine size images, there is absolutely nothing to be >gained from using anything larger than a Leica. I find this is true and >not true. Why do color separators always want larger images and why do >they sometimes print better? Perhaps it is the quality of the lens in >the scanner?? All I know is that it is very difficult for me to tell >the difference in print between what I have shot 35 and 67 or 4x5 if the >scanning house is of quality. But why should it be more difficult to >scan 35 than 4x5? > >The most wonderful thing about Evercolor prints is that they are so >detailed that the difference bwtween a 35 and 4x5 original when printed >large by the process is very hard to tell apart. I remember seeing >Galen Rowell (35 Nikkor) and David Muench (probably 4x5 Schneider) >Evercolors side by side and just being so happy to find proof that I >don't need to shoot 4x5. the real comparison was between the Rowell >evercolor and the same image by R or C print in the Nikon booth at a >trade show. Night and day. > >Thanks for the erudite post. > >Donal Philby >San Diego > > >