Archived posting to the Leica Users Group, 1998/08/23
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Erwin,
Thanks for whetting our appetites regarding your findings for the five 50mm
R and M lenses. As you know, I am particularly curious about the
performance in the center of the field (resolution of fine details and
contrast) of the five lenses, especially the new 50/1.4 R, and await your
final report. By the way, what is the "zonal" region? Is this the area
between the center and far corners of the image?
John
- ----------
>From: Erwin Puts <imxputs@knoware.nl>
>To: leica-users@mejac.palo-alto.ca.us
>Subject: [Leica] lens evaluations
>Date: Sun, Aug 23, 1998, 9:16 AM
>
>Recently a long quote by Jim Williams (Contax G fame) hs been circulated on
>the LUG. I at first resisted temptation to react. Still some comment is
>appropriate I assume. First of all his text is full of statements, not a
>single one prooved or explained. He is also demagogially clever ("superb"
>Zeiss lenses versus "computer designed" Summicrons). It is however not my
>goal to refute Mr Williams. He seems convinced of his opinion and so be it.
>At stake is the reputation of Leica or its "reputational myth-making". And
>the large group of Leica users who "because of their own fixed
>beliefs in Leica superiority -- certainly weren't about to disabuse the
>masses of their illusions".
>So are leica lenses superb or just front runners or me-too products. Were
>leica lenses unsurpassed in the past or not?
>From my postings (and test result) you will know that I am not a person to
>give super high marks to older Leica lensgenerations. But I am also not
>inclined to give older Zeiss or Japanese very high marks. The Planar 2/50
>for the Contarex, once described as of unsurpassable optical quality, is
>very good but not state of the art anymore. And so is the seven element
>Summicron.
>Many Leica lenses are excellent and often the number one for its fovcal
>length and specs. But leica also had and has lesser designs, quite apt for
>its task, but not state of the art: the 1,4/35 Summilux and the Summicron 2/90.
>The problem with all these generalisations is this: they assume one fixed
>evaluation standard along which all lenses can be measured and given a
>simple merit figure (be it a number, a word or a range of stars).
>This is quite wrong and even more importantly it misrepresents the reality.
>You still owe me the Summilux-R report. Why? I have all bench results,
>hundreds of comparison transparancies and many MTF graphs. So it should be
>easy to make a comparison and a clear ranking? Ok, let us start:
>I compared the Summicron-M and R and the Summilux-R (old) and new and the
>Summilux-M. That gives a bit body to an evaluation and it brings out small
>differences, which may not be important for a star ranking, but are
>important for real life shooting.
>Well overall the Summicron-M is slightly ahead of its R-sibling. At full
>aperture the M has a bit more contrast and its ability to record extremely
>fine details with outstanding clarity is greater. Also the performance of
>the M extends over a larger image circle than does the R, which is a bit
>weaker in the corners.
>The Summilux-R (old) is of low contrast and the recording of fine detail in
>the center is very good, but drops off fairly quick (after an image circle
>of 6mm radius). Stopping down the quality improves slowly until at f/5,6 to
>f8,0 where we can find excellent quality.
>The new Summilux-R has a high contrast at full aperture with fine to very
>fine detail excellently rendered over the whole image field. Stopping down
>one stop brings image quality better than its predecessor at f/4,0 and on
>stopping down image quality rapidly improves to a new optimum level at f/5,6.
>The Summilux-M is about equal to the new R in the center (6mm radius) but
>stays behind in the outer regions. Stopping down improves the contrast and
>the clear rendering of very fine detail. At f/5,6 we have excellent
>quality. The Summicron-M at the same aperture could be qualified as of
>exceedingly high imagery.
>
>Now I do hope that in the context of these descriptions designations like
>"very fine details" and "outstanding clarity" make sense and can be related
>to photographic practise and expectations of image quality. To be brave and
>reckless for once I would rank the Planar 1.4/50 for the Contax RTS as
>above the old Summilux-R but below the new one.
>
>Now how should we rank these five lenses based on the text above?
>Summicron-M is still the best, followed at a little distance by the
>Summicron-R, which is closely followed by the Summilux-R new. This lens in
>some important areas inches ahead of the Summilux-M.
>The Summilux-R old is a bit lagging in all areas and outdistanced by the
>new Summilux-R.
>This would be Ok as far as my *current* set of evaluation criteria will
>allow. If you put different weightings to the several components of image
>quality (as defined by me, mind you) the ranking and the evaluation could
>be different. The clear and contrasty rendition of very fine detail in the
>zonal region at the wider apertures is for me a very important componant as
>it will define the capacity of big enlargements from negatives (or
>trannies) taken in adverse luminance conditions. Most testers I know of
>(yes also CdI) are looking for different aspects of image quality.
>The overall ranking might or might not be the same. But a simple star
>rating system (the Summicron-M gets 5 stars from CDI, the Summicron-R gets
>4 and the Summilux-M gets 3) does not give insight into the finer points of
>the differences in optical performance. It will also not tell you how the 5
>or 4 or 3 stars have been put together.
>If we now would try to compare lenses from several reputable companies over
>long ranges of lenses and over several decades with different and often
>non-reproducable test paramaters from many different persons who also
>change their evaluation criteria (or even more worse did not change their
>criteria) we would be insane. At least I would be insane.
>
>
>Why then did I start with telling you that I have not yet made my final
>report. Because I do conduct tests at several distances ( 1 meter, 3
>meters, 5 meters and 10 meters or infinity). It is quite logical that at 1
>meter the capacity of rendering fine details is different from the 10 meter
>distance if you are looking for the *same fine details*!!. At one meter we
>would need let us say 10 lp/mm of good contrast to record these details. At
>5 meter we need 50lp/mm to record the same details with the same contrast
>and clarity. As 50lp/mm represent unbelievably fine details that can not
>be seen in a transparancy projected to a 4 meter image and viewed at close
>range we must carefully reflect how to evaluate performence differences at
>this demanding level of image quality. Now the 5 lenses mentioned above
>have different characteristics in this respect and I just need time and
>some study to phrase my conclusions.
>
>
>Erwin