Archived posting to the Leica Users Group, 1998/10/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Joe wrote: <snip> "The need for sharpness depends a lot on the image and the photographer's intention. As it is, I like lots of detail and accurate, high-contrast rendering."<snip> Actually i've been thinking about this a lot recently and have been wanting to put it to the LUG. I have, like the majority here, a number of photo and art books i love. But one of the things that has always irritated me has been the number of images reproduced poorly, well what i consider poorly. These are always washed out or too saturated, too contrasty, or not enough contrast. Now, i'm interested from the professionals amongst you who have published, how it has been that you have managed to retain reproduction quality, or have you had to sacrifice/compromise the quality of your work? One appalling example i have is of a Weegee photograph. (I bought my partner the Phaidon Photo Book especially for the photo of Dorothea Lange's _Migrant Mother_ which she loves). The majority of the books that publish this particular Weegee photograph not only crop it, but they also enlarge it, and the Phaidon is not an exception. I have never been so angry with a publisher in all my life. Recontextualising art is a sad fact of life in the postmodern 90's, but the impact/effect of the photograph was incredibly diminished. A friend who illustrates children's books has the same kinds of fudging of his images:-cropped, detailess images whose colour renditioning is awful. With his last book we almost cried- hell, we're not too macho on this list- we did cry. I apologise for the awful thought, but those HCB's we love, just might not be the HCB's we should love. Take care, Gary (Sharpo brother number 2)