Archived posting to the Leica Users Group, 1998/11/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jordan, Bob, Dave, thanks for the feedback. $595 list for Leica's version? Sounds like these folks *do* have a sense of reality, and maybe I'll pick up a Digilux when then ole finances pick up again! $50 extra for the red dot and a more stylish housing seem okay on a $500+ product. I got into digital photography fairly early, with the purchase of an Apple QuickTake 100 camera. I actually did manage to take some low-quality (but useable) product photos with it, but found it's lack of TTL viewing and weak, glary flash a problem. I suspect it would've worked much better if I had the internal flash triggering off a number of larger strobes, for much brighter, even illumination. Best results came in bright daylight (the effective "film" speed was only 25, with a minimum shutter speed of about 1/30th), on fairly low-contrast subject matter. I did see some strange artifacts, such as some seemingly random white or bright pink pixels in regions between very bright and very dark surfaces, and the blue skies would sometimes take on a ruddy cast (the QuickTake 150 added IR filtering to it's optics, which maybe would've fixed?). It didn't handle underexposure well, and neither did it retain shadow detail--it tended to look kind of muddy and featureless in those areas--hoping these newfangled megapixel cameras will allow for lots more creative possibility. But I'm rambling! As for your printouts, try using papers specifically designed for photographic reproduction, or at least some good-quality coated stock. The difference, particularly in terms of brilliance, is remarkable. For pastels and weak blacks, use cheap paper :-) Look carefully at manufacturer's sample prints, and you will notice too that they've chosen subject matter carefully: Most of the subject matter has rich color, but the lighting's usually very uniform, and they go so far as to provide blurred, sometimes textured, multicolor backgrounds which nicely mask the worst effects of dithering, which you would see pretty well in a picture of the sky, for instance. Still would hesitate to call this "Photo Quality", but it's handier than your average Polaroid, and lots cheaper to operate :-)