Archived posting to the Leica Users Group, 1998/12/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]What I really want to know Larry is would you have paid this photographer $50,000 if he had been using Leica equipment -- like, for example, an M6 with the new Leica flash? ;-) John McLeod - ---------- >From: Larry Kopitnik <kopitnil@marketingcomm.com> >To: leica-users@mejac.palo-alto.ca.us >Subject: Re: [Leica] What should I charge? >Date: Wed, Dec 16, 1998, 3:09 PM > >>>>>>>>>>> >So, the costs are costs, but the market is the market and is the >stronger of the two forces, unless you are an extraordinary talent with >a unique and highly marketable style. Also, if you can work nationally >for larger companies, the fees go up--and so do the expectations and >responsibilities. Top level advertising shooters (the highest paid of >photographers) can regularily command $5,000 to $10,000 a day and a few >(Herb Ritts) get $20,000. Plus expenses! But up in these atmospheres >the players have tremendous business momentum, lofty talents (directing, >managing, negotiating, as well as photographic.) ><<<<<<<<<< > >I work at an ad agency. Less than a month ago we directed a photo shoot at >a construction site for a series of magazine ads to run nationally. We >hired a nationally recognized photographer. It was a 3-day location shoot. >I don't know how many assistants the photographer brought (a couple is my >guess). The shoot was on 35 mm and in black-and-white. We paid the >photographer, including expenses, over $40,000.00. > >Why did we pay that? Because the photos in his book displayed the vision >our creative director sought for the ads. Because that is the rate the >photographer could demand for his time and talents to meet our needs. And >because getting the ideal talents to express the image and message the ads >are designed to convey were worth that to us and to our client. > >Larry > >