Archived posting to the Leica Users Group, 1999/09/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Johnny Deadman wrote: > > > Beaumant Newhall describes (in his autobiography, 'Focus') a lovely cafe > > scene where he was with H.C-B and without looking at his camera the > > exposure and focus were set for a portrait of someone across the tables. In > > an instant the scene was recorded because H.C-B knew what the exposure > > would need to be and he knew how to prefocus his camera, these are the > > techniques of a craft which are sadly not learnt by a modern generation of > > photographers. > > This is not such a pipe dream, actually. If I was shooting with an M I would > automatically set it for the ballpark exposure when I went into a new > lighting situation eg the cafe. It would then be easy to focus according to > scale ("without looking at the camera" is IMHO perhaps a slight > exagerration). I have some very nice pictures taken in exactly this way. > Important to be using a 35mm or wider lens, as the framing is pretty hit and > miss. > > -- > Johnny Deadman > > "Even the best writers talk too much" - Vauvenargues Did I hear the HCB story here about HCB owes a guy a big favor and agrees to repay it by getting a shot of somebody? The Guy brings HCB in to the subjects office and they both sit down. After talking for a minute asks HCB if he's ready to take the guys picture. HCB tells him he's already got the shot. He had his camera sitting on his lap in his hands. I easily believe it. HCB was lighting fast with his Leica. He anticipated. And did it as if in a dream. Didn't have to think, he prethunk. Comes from being inseparable with your camera and anticipating. And perhaps being a Genius. That's how I see it. Mark Rabiner