Archived posting to the Leica Users Group, 2000/04/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hello Tina, Sorry if I'm a little late getting in on this thread but I just got back from Kathmandu last night. Is the ink set and software you mention from Cone Editions Press?? I'm very curious because there was a sample print and info package waiting in my mailbox. The print looks good and the thought of having so many printer profiles for the different paper is really appealing. I have been thinking of buying a 3000 for b&w anyway so this may just help the decision - or give me an excuse. An aside - I just had a show in Kathmandu, 18 prints on watercolour paper and 13 sold before I left. 6 of the framed prints sold as well as 7 unframed copies. the show will be up for another three weeks but I am already very pleased with the results. People really seemed to like the look of work on watercolour paper. Ian Stanley, Bangkok, Thailand At 10:31 AM 12/04/2000 -0400, you wrote: >O.K., guys, here is my report on the Epson 3000 and Piezography software >which I am using to print my LEICA black and white negatives: > >It took me about two hours to get the printer set up (it's big!) and >install the software. Then I spent all day yesterday trying out samples >of different papers. The paper makes a huge difference in the appearance >of the prints. I tried everything from thick, rough watercolor paper to >very thin, glossy photo paper. It's all gorgeous! There are absolutely >no dots visible. I had a little trouble with banding until I figured out >I was supposed to be using the Super Micro-weave setting. Now there's no >banding on any paper. The colors of the ink vary slightly depending on >the paper used, but they all appear close to neutral. The watercolor >paper gives a warmer tint. The Media Street dual sided paper gives the >coldest tint with extremely black blacks. The QuadBlack inks are really >the way to go for beautiful black and white prints. > >I'm putting some samples in the back window of the car to test the fading, >but these inks and papers are supposed to be archival. I couldn't >be happier with this system (well, I'd love to find some cheaper >paper!). My days of breathing chemicals are numbered! > >Leically, > >Tina > > >Tina Manley, ASMP >http://www.tinamanley.com