Archived posting to the Leica Users Group, 2000/05/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I'll contribute the viewpoint of one with extremely limited experience regarding the shutter speed dial. I'm on my third roll of film with a new M6 TTL, and never actually exposed a roll on the M6 classic I had in and had to return to the seller because of a defect. I did however "dry fire" a number of times. Three items make the TTL version easier to use IMO. First, the speed dial is physically larger and it is thus easier to turn with the forefinger contacting the dial from the front of the top plate. It spins easily this way. The classic dial was not as large in diameter and seemed to work best using thumb and forefinger. Second, it turns the way the arrows on the meter point. This is simply more intuitive for a neophyte unfamiliar with either camera. However, I'm sure with practice the unintuitive method would quickly be learned. And with even more learning, one could condition himself to switch back and forth based on viewfinder image. If the LEDs have a central red dot turn one way; if not, turn the other way. Third, the central red dot gives quick confirmation of a correct exposure setting faster to a newbie than illumination of both arrows only. One sees the dot and he's good to go. But, perhaps the dot should have been made with a green LED. Green equals go. But, also IMO, there is one drawback with the TTL. It is slower to get into action when grabbing from the bag due to the position of the "off" setting. The classic had no such setting; the meter circuitry simply stopped drawing battery current when the shutter release wasn't pressed for a while. With the TTL, you have to rapidly spin the dial using method one (above) to place it near the shsooting setting. And, why oh why did they put the off position next to Bulb rather than 1/1000? When bringing the camera into use aren't we all more likely to need a high shutter speed than a sub-1/60 second setting? This results in a lot of rapid dial spinning and wear on those parts. A bigger issue ... why does the camera need an "off" setting in the first place when the meter shuts down of its own free will and accord a few seconds after you release the shutter button? There was a supplemtary instruction page included in my box with strong admonitions to use the "off" setting to keep the battery from running down. Is this really necessary? Other messages here implied that there was a circuit board anomoly that drained the battery on early TTL models that has since been fixed. I'm sure I'll forget one of these days when putting the camera back in the bag and find out for myself. It would certainly make the camera faster to bring into action if you could leave your shutter at 1/500 or so and ignore the "off" setting all together. Some cameras I've used in the past didn't have a meter switch because they used sellenium cells (Retina, Rolleiflex TLR) without batteries, which was convenient. Others (Nikon FE) used the wind lever position to switch the meter on and off. When the wind lever is nestled close to the body the meter is off; when you move the lever out of its rest position to allow the thumb room to wind the meter is on. Seems like this could have been incorporated into the design of the M6 TTL instead of the "off" position on the shutter dial. Some cameras I've used don't have any meter switch at all despite being operated on batteries. The Rollei 35S is such an animal. It relies on the camera being stored in the leather pouch to keep light from hitting the CDS meter and deflecting the galvanomic meter needle causing battery drain. The battery in this camera lasts for years. The Rollei 35SE is similarly without any switch, but uses a time out on the shutter release button to cut off the LEDs (and the pouch storage trick too). With regard to the M6TTL, of course, the battery is also running the flash quenching circuitry and not just the meter. But consider this -- the special TTL flash circuitry is needed only when taking flash pictures with a dedicated flash. So, why not design the dedicated flash to supply voltage to the camera when mounted and turned on? Flashes have lots of voltage available. The camera's electronics could be designed so that if a non-TTL flash were mounted in the hot shoe, or no flash were mounted at all, all these electronics would remain unpowered and the camera battery would once again be needed only to run the meter. Configured thus, no "off" switch would be required. Just some random thoughts.... John > > Hi Jerry, > > You idea of a 0.72 VF is good IMHO. So the M3 would be out (I don't even want to > think to the Hexar or Bessa suggestion ;-) ). With your HM, you already cover > 35-135 range. So you miss the 28 mm frame. A M6 or M4-P would do. The problem > with the M6TTL is the speed selector. Do some of you Luggers use both a > classical M with a TTL and do speed selector inversion causes problems? > > -- > Jean-Claude Berger (jcberger@jcberger.com) > Systems and RDBMS consultant (MCSE) > Lyon, France > http://www.jcberger.com > > > I plan to purchase a second body, my kit right now is > > M6HM, 35 cron ASPH, Noct, 75 Lux. SF20 > > > > I am thinking of purchasing one of the following > > M6 TTL (.72 magnification) > > M3 > > M4-2 > > Hexar > > or > > Bessa RF > > > > I think I will prefer lower magnification since my first M6 already have .85 > > I am really tempted to buy the Hexar, but I don't like the battery size, > > since its battery is very expensive in Indonesia. > > > > Please LUGgers advice me. > > > > Regards, > > > > Jerry S. Justianto > > http://www.asiagateway.com > > > >