Archived posting to the Leica Users Group, 2000/06/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]KC wrote: "...it's brutally depressing." Don't be sad, Kyle. There's a great lesson here for all of us. The reason there are so many fine photos taken with toy cameras is the purity of the work (both as a noun and verb). 1) Toy cameras don't intimidate. Most non-professional photographers (unless they're under the influence of an illicit substance) feel self-conscious about sticking a luxurious Leica or an aptly named Canon in someone's face...even a friend or relative's. Many subjects, as well, don't appreciate a "serious" camera pointed at them. It's seen by some as an invasion of privacy. A plastic camera, however, just seems like "good clean fun" to both parties. Both photographer and subject are thus relaxed and better photos result. Perhaps our friend John Brownlow (Johnny Deadman) can give us some tips here. 2) Toy cameras don't complicate. Aperture? Shutter speed? Metering mode? Program? Depth of field? Handheld? Tripod? It's no wonder we miss the point of a photograph when we're caught up all this decision making. I'm guessing that our hero, HCB, estimated at the exposure, based on experience, and pre-focused or roughly focused his grab shots. The only decision he allowed himself was when to press the shutter release. Maybe those of us who'd really like to take better pictures rather than collect better collectibles should buy a toy camera and spend a couple of weeks reprogramming ourselves. I'll bet we'd use our Leicas to better effect then. Craig Boston