Archived posting to the Leica Users Group, 2000/09/01

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Subject: Re: [Leica] les fleurs du mal: was OT: Nachtwey (was Personal portfolios of ...
From: "Bob Walkden" <bobwalkden@hotmail.com>
Date: Fri, 01 Sep 2000 09:24:21 BST

Hi Arthur,

the question 'what change has come about...?' is an interesting one and one 
that I've thought about quite a lot. Nobody's photographs were able to stop 
the situations in Rwanda and so on from taking place but in the case of, for 
example, the Ethiopian famine of 1984 the photographs and films of, for 
example, Mohamed Amin, Salgado and others were instrumental in motivating 
the Band Aid movement. The photographs of people such as Salgado and 
Nachtwey are crucial in maintaining a level of public awareness that at 
least keeps charity coffers filled so that somebody can do something to 
help. You don't have to be in countries like Ethiopia very long to see how 
much work the aid agencies are doing there, even Band Aid 15 years after the 
famine.

Given that these things have to be covered by a lot of photographers it's 
certain that some photographers will be more effective than others, and that 
no 2 photographers will share an exact set of motives. They can't all be Don 
McCullin and fortunately they can't all be Kevin Carter either. What would 
you like to do? Vet each photographer to see that he shares your views 
before he goes out there? Or perhaps you'd rather no photographers covered 
this sort of event at all, that we turned a blind eye to it because 
photography is apparently so useless. And if you don't want the 
photographers there, what about the TV, radio and print journalists? Do you 
want to stop them going too? If not, why do you make an exception for 
photographers? Or perhaps it's just *good* photographers you object to? What 
do you think the world would be like without Nachtwey or Salgado or McCullin 
or Rodger or Peress?

Criticising Nachtwey is all very well, but what is the alternative? I don't 
believe he's doing it for the benefit of his, or your, or my or anybody 
else's 'spiritual benefit or progress' he's doing it in the hope of putting 
a stop to as much of the torture, abuse, famine and suffering as he 
reasonably can.

Regards,

Bob

>From: ARTHURWG@aol.com
>
>OK, John, the Nachtwey photos make you ask questions. But what are the
>answers? What moral, ethical or spiritual "progress" have we made as a
>result? What have those photos done to make things better?  Are we better 
>for
>seeing them? If so, how so? What change has come about as a result of
>Nachtwey's actions?
>   In 1945 we had pictures of the death camps in Germany. In 1995 we had
>pictures from Rwanda. When the "unthinkable" happpens next week, next month
>or next year, Nachtwey will probably be there to take pictures.
>
>As much as I'd like to think otherwise, all this now comes under the 
>heading
>of "entertainment." Arthur

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