Archived posting to the Leica Users Group, 2000/10/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]For all you Hank lovers....excuse me, that's Henri Cartier-Bresson lovers out there.... This afternoon, I found an old copy of American Photo (Sep/Oct 1997). It is devoted to HCB and it started me on a very brief period of research. Well, on page 9 (table of contents) he's holding a screwmount Leica with what looks like a collapsible 50mm Summicron, but if it's dated correctly (1946), it is a Summarit. On page 46, he's holding an M3 with a 50mm collapsible Summicron. On page 48 (top) he carrying a Leica CL again with a 50mm collapsible Summicron. On the bottom of the page in a photo dated 1938 he's shaking hands with David "Chim" Seymour and hold a screw mount Leica with what looks to be a 35mm f/3.5 Elmar. Going to page 49, we see our hero on the steps of the Lincoln Memorial in 1957 holding an M3 with a 50mm f/1.5 Summarit. Now, to add more information, in the book "Eyewitness- 150 Years of Photojournalism" published by TIME Books in 1995, HBC is again holding an M3 with the 50mm f/1.5 Summarit. FYI- The photo was by Dmitri Kessel. Now, in John Morris's book "Get the Picture," we see him in Russia with what could be the famed 50mm f/1.5 Sonnar. This is confirmed in Beaumont Newhall's autobiography "Focus" published in 1993. On page 158 he states HCB used "a 50mm 1.5 Contax lens fitting to his Leica." On page 159 Beaumont tells us HCB bought an 85mm f/1.5 lens in 1946. Since, only Leica made an 85mm f/1.5 lens in 1946, I assume it was a Summarex. Lastly, in a photo, made in the late 50's or early 60's by Lisl Steiner shows HCB with a black M3 and a chrome 50mm collapsible Summicron. What does all this mean? Absolutely nothing....because the most important lens is the eye of the photographer, not what is on his camera. Happy Snaps, Sal