Archived posting to the Leica Users Group, 2002/08/29

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Subject: Re: [Leica] Graham's landscapes
From: "Rob Appleby" <rob@robertappleby.com>
Date: Thu, 29 Aug 2002 20:21:23 +0200
References: <Pine.GSO.4.05.10208291014210.6299-100000@mucho.2alpha.com>

- ----- Original Message -----
From: "Peter Klein" <pklein@2alpha.net>
To: <leica-users-digest@mejac.palo-alto.ca.us>
Sent: Thursday, August 29, 2002 7:36 PM
Subject: Re: [Leica] Graham's landscapes


>
> I'm another who really likes Graham's landscapes.  I'm with Tina--they
> give me such a peaceful feeling, and they are simply beautiful.
>
> Many of us have a problem evaluating someone else's art if its frame of
> reference is very different from one's own.  For example, if one's world
> view is that of oppression to be exposed, wrongs to be righted, and pathos
> to be felt, one may find something missing in a photo that just says,
> "isn't this beautiful?"  The opposite is equally true.

The point is, it shouldn't be asking you, it should be telling you. (Typical
Balliol debating point ;-)) It should leave no room for manouevre. But here
we're going a bit beyond the quality of Graham's snaps, which are very nice
(as often said).

To tell the truth, I don't think there's really been a "discussion" yet.
Intention in photography, and the various ways of expressing/signifying it:
so far we've just had people saying they like Graham's pictures, myself
included. But I think the topic is worth exploring. More of a streetphoto
list discussion, perhaps.

Anyway, basta already.

R.


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In reply to: Message from Peter Klein <pklein@2alpha.net> (Re: [Leica] Graham's landscapes)