Archived posting to the Leica Users Group, 2003/02/19

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Subject: Re: RE: [Leica] Pictures and Privacy/Film Industry/Susan Sontag, too!
From: timatherton@theedge.ca
Date: Wed, 19 Feb 2003 14:49:49 -0700

 Goddamned namby pamby airy fairy artists flicking their paintbrushes everywere, with their big floppy hats and muses hanging of their arms - who the hell do they think they are...

> Good god! Sorry I asked!
> 
> Kit
> 
> -----Original Message-----
> From: owner-leica-users@mejac.palo-alto.ca.us
> [owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Slobodan
> Dimitrov
> Sent: Wednesday, February 19, 2003 1:29 PM
> To: leica-users@mejac.palo-alto.ca.us
> Subject: Re: [Leica] Pictures and Privacy/Film Industry/Susan Sontag,
> too!
> 
> 
> This is an issue I've had since the 70's with the academic and art
> world, with their bounders constantly straying into photography's 
> arena.I don't take well to their effrontery and verbal vomiteria.
> As far as Sontag saying anything meaningful about the craft, 
> history can
> decide that. I don't see her as anything more than a tabloid writer,
> i.e. magazine, etc., masquerading as a thinker and intellectual. But
> then that is the bane within our period of modernity. With mass
> communication, comes the petty intellectual, not too dissimilar 
> from its
> counterpart in the petty bourgeoisie from an earlier era.
> Slobodan Dimitrov
> 
> 
> Kit McChesney | acmefoto wrote:
> >
> > Well, maybe you don't like Susan Sontag, but the message that 
> she's trying
> > to bring out isn't insipid. Gosh, you're on a mean edge today, 
> Slobodan!> What's with that? ;-)
> >
> > Kit
> >
> > -----Original Message-----
> > From: owner-leica-users@mejac.palo-alto.ca.us
> > [owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Slobodan
> > Dimitrov
> > Sent: Wednesday, February 19, 2003 11:25 AM
> > To: leica-users@mejac.palo-alto.ca.us
> > Subject: Re: [Leica] Pictures and Privacy/Film Industry/Susan 
> Sontag,> too!
> >
> > I don't doubt that there are many fine people in the entertainment
> > industry. Here, we're talking still photographers, a duck of a 
> different> color.
> > The money is fair, it's not great. But it does attract the usual
> > individuals that will do work for hire.
> > As far as Susan Sontag's insipid savantry is concerned, no comment.
> > Well, maybe...then again, better not!
> > Slobodan Dimitrov
> >
> > Kit McChesney | acmefoto wrote:
> > >
> > > There are many very good people who work in the film industry, 
> folks who
> > do
> > > superb work, have sound ethical principles, and are incredibly 
> creative.> > Perhaps it would be wise to separate the hype from 
> the substance before
> > > condemning everyone involved. I have many good friends who 
> work behind
> the
> > > camera, and they are great people. It is also a fact that 
> industriesthat
> > > make lotsa money attract all types, but that doesn't diminish the
> > character
> > > of the good folks.
> > >
> > > As for the copyright laws in France, their rules may have a 
> cultural> basis,
> > > that is, the French tend to be very private people. Their laws 
> may have
> > > evolved from that particular cultural difference--one that 
> Americans> aren't
> > > too familiar with, given the commercially-driven bent in this 
> land for
> > > revealing everything, regardless of anything. Could be a privacy
> > > thing--respecting folks' right not to have their images 
> captured without
> > > permission.
> > >
> > > On another note, did anyone hear Susan Sontag on the radio (I 
> think it
> was
> > > the Radio 360 program on Sunday on public radio) speaking 
> about the
> > > differences between how we photograph subjects in the West as 
> opposed to
> > > "non-Western" subjects? For instance, we have no qualms about
> > photographing
> > > people who are starving (as in Africa) and near-death, but at 
> the same
> > time,
> > > people debate if it is "tasteful" to photograph something as 
> horrifying> from
> > > a disaster like 9/11. Somehow, we are able to see the Other as a
> subject,
> > > but to photograph something with equally horrifying details at 
> home is
> > > taboo. Interesting.
> > >
> > > Kit
> > > -----Original Message-----
> > > From: owner-leica-users@mejac.palo-alto.ca.us
> > > [owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Slobodan
> > > Dimitrov
> > > Sent: Wednesday, February 19, 2003 9:58 AM
> > > To: leica-users@mejac.palo-alto.ca.us
> > > Subject: Re: [Leica] A chance to compare yourself to Magnum
> > >
> > > Hardly ill-considered. Living in 'the' media town of the 
> world, outside
> > > of Bollywood and New York, I've seen too many horror stories 
> to feel, or
> > > think, otherwise.
> > > My brushes with 'the industry' keep on re-affirming my perception.
> > > Besides, I do not do 'work for hire'.
> > > Slobodan Dimitrov
> > >
> > > "Beddoe, Neil" wrote:
> > > >
> > > > Your  statement reminds me of one I read on a web site once 
> that said,
> > > > "anyone who complains about the colour [of Fuji print film] 
> should be
> > > shot".
> > > > I thought that was a little drastic and ill-considered.
> > > >
> > > > Neil
> > > >
> > > > -----Original Message-----
> > > > From: Slobodan Dimitrov [sld@earthlink.net]
> > > > Sent: 19 February 2003 15:05
> > > > To: leica-users@mejac.palo-alto.ca.us
> > > > Subject: Re: [Leica] A chance to compare yourself to Magnum
> > > >
> > > > Sounds like they took their cue from the movie and recording
> industries.
> > > > A scum clientele that no photographer with any kind of self 
> respect> > > should ever work for.
> > > > Slobodan Dimitrov
> > > >
> > > > Simon Greenwood wrote:
> > > > >
> > > > > The French have copyrite laws that are rather different to 
> ours, the
> > > owner
> > > > > of the copyrite (as I understand it) is by default the 
> subject of a
> > > > > photograph, unless agreement is made to transfer it to the
> > Photographer.
> > > > >
> > > > > Maybe someone could confirm this
> > > > >
> > > > > Simon Greenwood
> > > > >
> > > > > --e
> > > > --
> > > > To unsubscribe, see
> http://mejac.palo-alto.ca.us/leica-users/unsub.html
> > > >
> > >
> >
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