Archived posting to the Leica Users Group, 2003/03/21
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Oliver: Using Quadtone or Hextone inks means replacing the color cartridge(s) of a printer with a special B&W cartridge that contains inks of varying shades of gray. So you have to dedicate your printer to B&W. The MIS workflow involves converting a copy of your B&W image to 24-bit color, and then applying curves that turn it into a false-color image. This image determines how much of which ink will be applied to a given area. Ideally, then inks should be applied such that a gray scale will have completely smooth transitions between one level and the next. The 1290 driver does this well. For some reason, the 1280 driver tends to "posterize." You will have a smooth transition in the shadows between two dark tones on the screen, but it will be an abrupt "step" in the print. For example, in the screen, successive pixels might be 200, 201, 202, 203, 204, 205, 206. On the page, it would come out 200,201, 201, 201, 201, 201, 206. - --Peter Peter wrote: <snip> I now use the Paul Roarke curves and MIS inks, and I've been quite pleased with them. The Epson 1280 driver has some very abrupt transitions, but using the 1290 driver (from Epson's UK site) and Paul's 1290 curves has solved that problem. <snip> Oliver wrote: Peter, could you expand on what you mean by "abrupt transitions"? I'm not that knowledgeable about these terms. I have a 1280 and printing b&w has not been a good experience so far. At this time I'm not willing to dedicate one printer to b&w work. Does the modification that you describe allow you to continue printing in color on the 1280/1290? - -- To unsubscribe, see http://mejac.palo-alto.ca.us/leica-users/unsub.html