Archived posting to the Leica Users Group, 2004/10/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Howard Sanner writes in part: > > The party is being held in a horrible room. One wall is a > floor-to-ceiling window that faces southwest. So, no matter what > you do, you have the backlight from Hell. (Don't suggest closing > the curtains. Nobody'll go for it. Changing the room is also not > an option.) The artificial light comes from 100W incandescent > light bulbs recessed in individual soffits in the ceiling. They > provide *extremely* contrasty light that points straight down. > > On ASA 400 film, exposure would be something like f/2.0 at 1/30, > and the pictures would still look horrible because of the > contrasty light. (I've been there and done that.) > > I'm going to use my M6 and whatever lenses seem appropriate, > probably mostly the 35mm f/1.4 Summilux. I have a Vivitar 285 flash. > > I know, having tried it, that bouncing the flash off the ceiling > (fortunately white) will produce less bad pictures than direct > flash with its shadowy "halo" around objects. What I'm mostly > worried about is the light in the background falling off. I've > done some photography there previously with an M3 and the Vivitar > 285 angled at 45 degrees. The results weren't too bad, but I wish > there had been more light in the background. > > Any suggestions? Hi Howard, If getting the shots you want with the window light behind won't work you may want to consider borrowing or renting a couple of Metz flashes and Nikon SC-17 flash controllers. More light may be a better solution than less light. Nikon also makes some wireless flash modules that work very well with Metz flashes and a Leica TTL camera (check the archives). Is you camera the non TTL version? I'd do a few tests by pointing all flashes (meaning 2 or 3) at the ceiling and or walls. Regards, Greg