Archived posting to the Leica Users Group, 2004/12/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]When I bought my first digicam, a Minolta Dimage 7, the quality it produced was "good enough" for me to forsake about 80% of my film usage, even though I could clearly see advantages that my film cameras had. Now that I have my first "real" digital camera, a Minolta 7D DSLR, I am amazed at the leap in quality that the camera can produce over the Dimage 7. The photographs it produce no longer have any kind of a "digital look". I honestly can't think of an occasion where I would prefer to use film, other than the occasional time where I may feel nostalgic and take my M6 out for a walk. Yesterday I tried to describe to someone how I used to make colour prints in my darkroom, using Fuji FA paper and a hand operated (rolled on a counter top) Cibachrome drum processor. How I would go through the iterative process of making a print, judging colour balance, fiddling with the colour filters on my enlarger, making another print, judging it again, etc., and that if I was lucky and/or good, I would end up with a truthfully very beautiful colour print that may or may not be superior to a print that can be popped out of a Canon or Epson or HP printer at a push of a button. You can't go home again. -dan c. At 10:46 AM 09-12-04 -0800, Mark Rabiner wrote: >Just one thought I have is that what it's looking like to me is that it is >not the hard core experienced darkroom people who are rejecting digital >technology; but people just getting into it not to overly informed and with >romantic ideas of what darkroom produced "silver Prints' are all about. > [snip]