Archived posting to the Leica Users Group, 2004/09/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> On Fri, 2004-07-02 at 11:35, animal wrote: > > >From what i have learned from modern instruction and basic teaching courses > > I know that one has to point out the things that people get right. > > That way pupils learn faster then when you point out the things they do > > wrong. > > Especially in complex fast paced courses their self esteem is fragile and > > has to be monitored for best results. > > > My point is that back when I went to art school (only about 15 years > ago), the department heads didn't seem to think that learning your craft > was as high a priority as being a "free spirit". There was very much > the attitude that the students should simply be cut lose and should do > what ever pleased them. Everything they turned in was "great" and "fine" > and any criticism was combated with the old standby lines of "who are > you to judge..." and "in art there are no rules." > > Now, being a free spirit and saying what you think isn't a bad thing, > but as an example lets take a look at someone like Picasso. Now Picasso > considered himself somewhat of an anarchist and belittled the > bourgeoisie taste and way of thinking. He was one of the driving forces > behind cubism and modern art, but he knew the traditional canon for > wards and back wards and built on top of it. That's one reason why his > work is genius and what we see today is mostly crap. People seem to > think that an artist just stands in front of a canvas and the art just > comes flying out of him and that's it. The reality is very different and > involves a lot of hard work, discipline, training, knowledge and > practice. You can have all of the talent in the world, but without > proper training you are never going to get beyond a certain point. > > So, we had students who could not properly draw in perspective, could > not properly draw a human figure and had very little knowledge of art > history, theory or techniques. > > These were respectable schools, Rochester Institute of Technology > and CalARTS, although the character animation department at CalArts was > far better than its regular art department. > > > Feli > thanks for explaining your point again. Still isn,t it unfair to compare the skill of Picasso with art students? I would presume that when a talent like that is exposed to no matter what bad teaching it would still emerge somehow. simon