Archived posting to the Leica Users Group, 2004/09/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>BUT...Most professional 120 use is based on the quality requirements of >magazines. And the question then is not whether the 120 backs will >become affordable; rather, it is whether 35 full-frame digital cameras, >such as the EOS1Ds and the Kodak, can provide image quality on a par >with 120 film. If they can, then the cost of 120 backs becomes >irrelevant and 120 becomes irrelevant. There is also the question of >whether smaller sensors in DSLRs, used at 50 iso, will produce such >clean images that they, too, can eliminate the need for 120. I wouldn't >be investing in Hasselblad OR Imacon right now. BD Last year I've presented some samples for a book of urban sculpture to the city council. Samples were from 4x5 Linhof, 120 Hasselblad "and" EOS 1Ds pictures. All in photographic paper of 30x40cm aproximately. I was really surprised whe the culture man, in fact a woman, did choose the pictures from the EOS. For me -one thousand pictures- was cheaper and more comfortable. The job was delivered and, though I'm a amateur, the money I've got payed my EOS 1Ds that then become autofinaced, So for me the replay is yes, the 35 full frame digital camera provide, at least, same quality than 120. Well it's not my opinion but my custommer opinion. Felix PS. The book is not yet on the street. As we use to say "las cosas de palacio van despacio", that's: official matters go slowly...Of course my 120 cameras are gathering dust.