Archived posting to the Leica Users Group, 2006/02/09

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Subject: [Leica] The economy of film...
From: dlridings at gmail.com (Daniel Ridings)
Date: Thu Feb 9 00:12:10 2006
References: <6.1.0.6.2.20060208230710.1232b150@192.168.100.42> <a2f8f4470602082359l7af12e98u1b799b3796320656@mail.gmail.com> <6.1.0.6.2.20060209000459.1216a390@192.168.100.42>

Sounds interesting.

I've always just wasted paper :-) I've always wondered about analyzers
and things like that. Eye-balling it is what I ended up doing.

Daniel

On 2/9/06, Richard <richard-lists@imagecraft.com> wrote:
> Ah, two things: 1) Dry Down effect is fairly consistent with the same paper
> and developer. Do the test once, and then adjust the timing when you make
> the final print whenever you use the same paper and developer, 2) the RH
> Analyzer supposedly avoids the Dry Down effect because you spot the whitest
> white with details and the darkest dark with details. If you trust that,
> then you can more or less ignore what you see because the Dry Down is built
> into the calculation.
>
> At 11:59 PM 2/8/2006, Daniel Ridings wrote:
> >...But I never found working in the darkroom an immediate experience. You
> >always had to guess the "dry down" effect on the print, how it would
> >look the next day when it was dry. A print can look beautiful with
> >rich, deep blacks when it is wet ... but dry it and you get another
> >print.
> >
> >No, immediency is not something I would apply to wet darkrooms.
> >...
>
> // richard (This email is for mailing lists. To reach me directly, please
> use richard at imagecraft.com)
>
>
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In reply to: Message from richard-lists at imagecraft.com (Richard) ([Leica] The economy of film...)
Message from dlridings at gmail.com (Daniel Ridings) ([Leica] The economy of film...)
Message from richard-lists at imagecraft.com (Richard) ([Leica] The economy of film...)