Archived posting to the Leica Users Group, 2006/02/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On 2/9/06, Richard <richard-lists@imagecraft.com> wrote: > One of the factors in digital's favor is cost. The film luddites (*raise > hand*) arguments include depreciation of digital equipments and the need to > get computer equipments etc. Another argument I have not heard much is the > cost of doing B&W prints. I just knocked out an 11x14 print of the Taiko > guy for the Taiko classroom, and the cost is pretty much the paper (~$1.20) > plus pennies for the chemical. I use a RH Design Analyzer so I didn't waste > paper doing test strips (to be fair, the print is slightly light and I > would have added another 1/3 stop if I am aiming for higher quality. > However, for this purpose, it's good enough). I have a Nova print processor > so the chemical last for several weeks. If I use my Epson 1280, the paper > is about $2.00 and the B&W MIS ink has to be in the range of $1 or more. I > doubt the Epson Ultrachrome ink for the new R2400 is cheaper, so we are > looking at 2x the cost per print. Other things to take into account that level the playing field quite a bit: Space. Digital or a semi-digital workflow is much cheaper than becoming a responsible adult and buying a house. Like I could get a mortgage anyway. The costs of an archival B&W setup such as yours are heady - an 11x14 Nova processor retails for more than $500 ordered through Nova (no US distributor), the cheapest 11x14 archival washer is $200+ and the 'good' ones are more like $5-600. A good, used enlarger with a VC head is several hundred. Chemicals are cheap, paper increasingly less so. -- MP wooderson@gmail.com