Archived posting to the Leica Users Group, 2006/02/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]dnygr wrote: > I spent some time this week at an exhibit in which some remarkable > photos were displayed. There were digital and traidional silver B&W > prints. Common to both was that the high quality of printing that > had gone into them and that they were all black and white. They > looked first rate. > > The exhibit gave me a chance to compare both. From afar, both > looked great, but when I got up close, the digital prints didn't > look as great as the tradional black and whites. The edges weren't > as sharp and the digital prints didn't show the texture of surfaces > photographed as well. In the tradional black and whites, I felt I > could feel the grain of the wood photographed, feel the texture of > the tent pictured. The digital prints didn't convey this. I used to find that something akin to this was true. This essentially isn't true anymore (very recently) given the most recent advances in digital printing i.e. the K3 inks/printers -- I use the Epson 4800 and I also have the older 2200 -- the difference is real. There is a paper just about to be commercially released: Crane's Silver Rag which provides a very close look to traditional air dried fiber. I can confidently state that every detail of a 35mm negative enlarged can be just as well, and in most cases *better* reproduced by digital inkjet printing than by conventional silver gelatin printing. You state that a "high quality of printing" was common to both sets of prints, yet this begs the question of why you don't love the digital prints. Jonathan