Archived posting to the Leica Users Group, 2006/02/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tina, Do I understand correctly, that you want the viewer of your JPEGs on the internet to see the colours as you see/have them? The only way I can imagine doing that, is to allow viewers to download your screen profile ............. but then, for which screen ............. crt, lcd, brand ........... it all makes a difference ............... unless, of course, you and your viewers use Apple lcd screens ............. there are only three of them, to- date. B. On 22-feb-2006, at 17:23, Tina Manley wrote: > At 11:14 AM 2/22/2006, you wrote: > >> Any pointers appreciated. >> >> Scott > > Everything that is printed today is from a digital file so it > doesn't really matter where it starts. Digital RAW is the > undeveloped negative and can be processed different ways just like > film. The commercial photographers that I know are all using > digital because it is easier to exactly match colors using > digital. Some of them use the big digital scanning backs that are > the equivalent of large format film, but those require long > exposures. The problems that I've been having with color are with > jpegs displayed on the internet, not RAW or tiff files intended for > printing. That's a totally different workflow. > > Tina > > Tina Manley, ASMP > http://www.tinamanley.com > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information