Archived posting to the Leica Users Group, 2006/12/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Double warning... posted to Reflex & LUG forums, plus could be interpreted as peskey Film vs Digital kinda thing: Begin forwarded message: From: bob palmieri <rpalmier@depaul.edu> Date: December 30, 2006 11:07:49 AM CST To: leicareflex@freelists.org Subject: Re: The Hatrack David - Damn nice symmetry and attitude you got from that model! And the fact that it's a really good-looking image in spite of factors that some folks fear (and in some folk's cases, they should) like Cropping! and Extenders! and Zooms! and Pushed Film! and Handholding! is a tribute to both you and your gear. I, too, took one of the SL's out for a walk a few weeks ago (in hand, with the 60 Macro-Elmarit and Provia 100 on a shoot where the main axe was a 20D & 400 Telyt on pod) and the snap with the most attractive qualities for me ended up coming from the SL/Film rig. In fact, I shot the same subject with the Big Rig (yeah, I know, "whaddya expect from that Canon pea-shooter", etc.) But the film version, even taking into account what looked to me like more intrinsic contrast & saturation, seemed to have more nuance of color & texture (in a lucky situation where the color temperature happened to be right up the film's alley.) It also survived the usual losses in scanning which have sometimes led me to give up on posting something from a good-looking 'chrome. http://www.pbase.com/bobsworld/image/70920132 While we're at it, I should say that I've been liking this "eye form" thing (both horizontal & vertical) where the subject sorta swells up in the middle and tapers away at the ends; here's a coupla more examples: http://www.pbase.com/bobsworld/image/71462159 and this one (with the 60 Macro on the pod-mounted 20D) http://www.pbase.com/bobsworld/image/72282591 That's all for now... Bob Palmieri