Archived posting to the Leica Users Group, 2007/07/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> Len, > > Thanks! I've been using the datasheets in the film > boxes or on the chemistry bags, which tend to be > limited to plain vanilla combos. This appropriately > named little chart seems to be just what I was looking > for. > > I'd like to know if anyone has had hands-on experience > with 1:3 Xtol and common films such as Tri-X. > > Now I'm in really deep. ;-) > > Hazmat Pete (cough), > SF, CA > > 1:3 is commonly used by more serious in the loop workers despite Kodak info to the contrary. Just don't dilute that much with T-grain 100 or delta 3200. Those films seem to eat the stuff. Have not found any others. I shot a brick of tri x in May 99 doing the Lewis and Clark route in 10 days with my first Leicas. St. Louis to Portland and Astoria leaving the day they left. I did 1:2. After that I quickly switched to 1:3. Its worth it. Then I switched to the modern T-grain films for a long time the Ilford delta's and my instincts on that I think was correct. With the Xtol you then get 100 results with 400 films and so on down or up the line. Then I switched to the Green Neopan Fuji boxes some were not tab grain though but in my last years of souping I was going back and forth between the Neopan 1600 1:3 and the Acros without doing much 400. Now for the past several years been shooting XP2 and regular color neg films. I feel as 99.9 of the R&D is in such films the do have a leg up on black and white and chrome films. But 400 is overkill I wish they made it in 1600. I may start shooting Neopan again and souping it myself. In Beutlers. Maybe get some ascorbic acid into it. See how she floats. Mark William Rabiner Harlem, NY rabinergroup.com