Archived posting to the Leica Users Group, 2007/11/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> Yeah, I was looking at those garage shots and wondering "how on earth > did he get his colors back in place?". That lighting must have been > tricky. On the CS3 Bridge contact sheet the green of the florescent was taken out completely in most the shots (by the camera I think) making for a perfect neural gray - gray card car! I had to put some green back into it again! For proper effect. So we knew we were in a florescent lit garage. The opening shot I'm really pleased with. __ I'm getting some 8.5x11's out of my Epson 3800 shot on film and scanned or shot with my digital bodies which beat anything I ever did with my Amidol stained fingernails in the darkroom. Certainly the blacks are blacker and I'm using Hahnem?hle photo rag bright white. I bought the bright white by mistake. Now its all I want to print with don't know what to do with my other stuff. When I'm out and about with my camera which I always am I have either a 24 or 28 2.8 on my D40x body. The 28 I notice is on there now. But sometimes Sometimes a 50 1.8 or 45 2.8 if I'm in the mood for pancakes. And grab a.bility. As they become short tele normals. But fast and light. Mark William Rabiner markrabiner.com