Archived posting to the Leica Users Group, 2007/11/24

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Subject: [Leica] IMGS - Below the National Gallery
From: tedgrant at shaw.ca (Ted Grant)
Date: Sat Nov 24 07:03:10 2007

Bob Baron offered wisely:

>>.  I've tried several crops of this shot, including the  

> following, but I'm not sure the image has enough 'punch' (whatever  

> that is) to be a long time keeper:

> 

> http://www.bobbaron.com/DC_Oct07/W_L1004200KidsLineV2.jpg
<http://www.bobbaron.com/DC_Oct07/W_L1004200KidsLineV2.jpg%3c%3c%3c%3c%3c%3c
> <<<<<<

 

Hi Bob,

You are absolutely right!

 

>> but I'm not sure the image has enough 'punch' (whatever  

*       that is) to be a long time keeper:<<<<

 

It's close but sure doesn't win! It's not a keeper by any means. Actually
this type of photograph creates ten times or more effort screwing around
with it trying to make something out of it than it's worth. You're correct,
"there isn't any punch to it." Oh one can isolate segments with our eyes
looking at the photo and see the little girl on her tippy toes, the facial
expressions but not large enough to really make a significant photograph of
what's there. Because of the clutter.

 

You saw the right moment, that's always the most important part. The making
it work comes from being in the right spot or the ability to move to a shoot
position and angle to capture what motivated you. But you weren't in the
best position because of the distracting and physical aspects.  

 

There's a neat picture potential here if:

 

1: the cable wasn't across the frame, the young lady to centre right is
holding onto.

 

2: you bent your knees to a much lower angle (( Oh and how that hurts trying
to get back up!)) :-) 

 

3: Used a longer lens to capture only the two girls on the left in a
vertical composition and their face to face re-action which can be seen. And
the tippy toes! WOW!  That little bit of physical expression is part of her
anticipation at receiving an ice cream cone and of course comes from having
looked at all the different ice creams. 

 

A small but important part of the motivation to take the picture in the
first place. 

 

Never mind Bob the most important part of all? You saw the moment, it was
just unfortunate you couldn't get into the ideal shoot spot! :-(

 

This kind of situation falls into the category of . "It's much better to
have seen the moment, than never to have seen at all!" Simply because if you
don't see the moments in the first place you'll never shoot anything but
exposures of useless moments. And we all know you see very well, execute
very well and know when to "punch the button at the right time." From your
previous postings

 

Just right this off as "just one of those things! " And for heaven sake
don't feel bad because you are not alone! Quite frankly if I had a dollar
for every moment like this I've shot in my many years I would be a very rich
man! :-) Better luck next time.

 

ted

 

 

 

 

 

 

 

 

 

 

 

 

 


In reply to: Message from philippe.orlent at pandora.be (Philippe Orlent) ([Leica] IMGS - Below the National Gallery)