Archived posting to the Leica Users Group, 2008/01/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Michiel Fokkema offered: Subject: Re: [Leica] When in doubt ask photographer >>I really do like her work. I think it is very difficult in documentary photography not to be an influence. One can clearly see this in the film "war photographer". in this film James Nachtwey is closely followed. He has a small video camera on his canon. One moment he wants to photograph a crying woman. Her son is making way for James and thus the photographer is interfering.<<< Hi Michiel, It depends where the photojournalist is shooting whether there's an influence or not and subjects moving out of the way. As in the case of James Nachtwey with the tiny video camera on top of the Canon it's understandable the child would move. Big adult-little child. But during the taping of the BRAVO-TV documentary about myself I had exactly the same kind of little bitty video lens mounted in the hot shoe of an M6 with a recorder strapped around my waist. But I was shooting in a hospital operating room real time life moment and nobody moved out of my way as the child in War Photographer. This is what I mean about location and photographer's influence. I must say it's interesting on screen to see what the tiny video image was recording and what I shot with the M6. :-) Imagine the movements of the medics and right at the bottom of the frame is the edge of a Noctilux. Then one hears a "shutter click" and it dissolves to my still picture identical to the colour video image, only in B&W! :-) I believe the influence created by the photographer depends on the ability to move about without being felt or seen. As well as the action of the subjects. >>Just the fact that a photographer is there, the way things go are changed.<< I don't believe that to be the case 100% of the time. ted