Archived posting to the Leica Users Group, 2008/02/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Okay, Ted. Football game over and I've come back your question and also gone back to Mads' photo and many of the other entries as well. First, I need to hedge a bit and admit that I hadn't really looked at all 72 pictures and chosen Mads' image as the very best, but I still like it a lot and would have placed it at least *among* the very best. The reason is this: it made me work a little to see just what he saw that made him want to submit it for a contest, because it wasn't obvious at first. I know Mads to be a good photographer and I know that he must have a ton of great images he could have submitted, so why this one? It took a few seconds before I even noticed the bootprint in the frozen mud, but when I did I heard in my mind's ear the crunch of ice under a bootsole and felt the bleak chill the soldier must have been experiencing on a day so dull and featureless that the eye might have been drawn even to the barren earth for some sign of meaning. The point is that the photo didn't grab me at all, I had to come to terms with it myself, and that was something I enjoyed doing. Now I realize this isn't the way most of us work. We want to reach out and absolutely knock folks off their feet with our dramatic images. That's especially true if we work as journalists because we're competing with other pictures and have editors to please, and so on. So I understand the reason we work so hard to "grab" people, and readily admit that Mads' picture didn't fall into that category. But for me that set it apart. So bravo! to Mads. As a photographer, one of my favorite quotes is from the American poet William Carlos Williams: "No ideas but in things." So I look for things that embody ideas, and Mads' bootprint embodied (for me) the idea of "cold". Brrrrr! I felt it!! Now back to Brian's original post. I originally said that I would have chosen Mads' photo even without knowing the details, but I'm not so sure that's true. As Brian pointed out, knowing the picture was from Mads in Iraq was part of the context in which I saw the image. If I had seen the picture in isolation I'm not sure what my reaction would have been. So I'll end with another quote (not sure from whom): Art is a journey that starts with the artist and continues with the viewer. -- Phil Swango 307 Aliso Dr SE Albuquerque, NM 87108 505-262-4085