Archived posting to the Leica Users Group, 2008/02/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>> The most famous wide angle camera is the Hasselblad superwide. >> No rangefinder you don't need one you could be way off and still nail your >> focus with the 38mm Biogon. >> Which is like a 21 on a 35. >> >> You can easily do it with a 24 or longer >> But a 15!?!?!!?!?!?! >> A 15 is like hitting the broad side of a barn from one foot away. >> A rangefinder would be a complete waste of machinery and weight. >> >> Mark William Rabiner >> markrabiner.com > > > And yet... I have and often used the gg back for the SWC and focussed > on that. It always gave the _correct_ focus, instead of the best > guess focus. It depends on what's needed. A 15/2.8 at close focus > does not have endless dof, and the dof on 35mm lens scales is > optimistic for a 4x6 print, let alone a real enlargement. > > If you shoot a postcard shot, set the lens at infinity and you're OK, > but for close work, you have to be able to focus accurately. For a PJ > grab shot to be printed on newsprint, dof covers a lot of errors, but > they are still errors and they can be seen, and in some shots it > matters. > > I haven't seen the 15/2.8 Zeiss, but if the rear element is too large > to allow a cam, then the design should have been modified to > accommodate one. Thats what's done in almost any lens design. The > Noctilux could have been a lot better lens if they didn't have (many) > size restraints. According to reports the 15/2.8 Zeiss is not that > outstanding a lens at present; maybe a reworking would have done it > some good. Shooting wide open closer in yes you're not always going to nail it. I had a Leica rangefinder on the hotshoe of my Voigtl?nder Vito BL when I was 13 doing my first darkroom work. Using a Hasselblad superwide for a month I found myself more comfortable with it on a lightweight tripod aimed level and I'd shoot at f11 or 8. But I have shot tons of film with my CV Bessa L with camless 25 "Scopar" and I don't think I've ever missed my focus once. But for architectural use the superwide seems like a great camera even without the groundglass focusing. You'd just make sure things were level and stopped just a couple down. For street use a shame it goes off like a shotgun. But I'd not heard anything less than superlatives about the Zeiss made in Germany for thousands of dollars 15. I find this surprising. Mark William Rabiner markrabiner.com