Archived posting to the Leica Users Group, 2008/12/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]F stops, f stops, f stops. The weather is so lousy in the US northeast. The only photographic subjects in my area are grandchildren and rain drops on the windowpane. We are back to discussing how many angels can dance on the point of a pin. Anyway, in theory, opening a lens by one stop lets in twice as much light. Opening it by 1/2 stop lets in 1.414 times as much light (i.e. the square root of 2). A half stop increase from f3.5 would be f2.94. A f2.8 lens lets in 1.56 times as much light as an f3.5 lens, about 10% more than a 1/2 stop increase. Bear in mind that these differences in lens opening are much smaller than the tolerance in mechanical Leica shutter speeds. I don't know about electronically controlled shutters but I felt lucky if my M3 shutter could be adjusted to plus or minus 20% of the nominal speed. Movie makers have it much easier. The exposure is usually determined by an open sector in a shutter disc directly geared to the carefully controlled film transport mechanism. The lenses are calibrated in T stops which are based on the actual transmission of light through the lenses. Bell and Howell tried using T stops on its ambitious Foton camera. To no avail. Still camera makers insisted on using f stops because it made for numbers which implied faster lenses. Score one for the marketing departments. Larry Z