Archived posting to the Leica Users Group, 2009/01/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Toom, That's very helpful. I shoot some stage and theatre work, as a hobby. Although the DMR is limited in its low light performance compared to the D3, it's still very useable. I shoot my DMR handheld with a 180/2 summicron for concerts and gigs and I'm very pleased with the images that gives. Charlie On 13 Jan 2009, at 11:34, tl wrote: > Hi to all, > > > > In a recent post I mentioned that DMR held up quite well when > compared to > the Nikon D3. Doug Herr asked me for a some elaboration so here goes. > Naturally, the D3 has a feature set that far outstrips the DMR and > there can > be no doubt that D3 has much better low light performance than the > DMR. > When you look at images from both cameras and evaluate them > visually, the > DMR images appear somewhat sharper, and I believe more colorful. > The Nikon > D3 has the most accurate color reproduction of any imaging product > that I > have ever used. The LCD on the D3 is color calibrated. The point > to be > made here is that accurate color reproduction on input is not always > a good > thing. Kodak Extachrome Professional was one of the most color > accurate > films ever produced, but most photographers preferred Fuji Velvia > which had > extremely poor color fidelity but produced very vivid and saturated > images. > > > > > Even though I have very complete color measurement capabilities in > my lab, I > always LOOK AT THE IMAGE. 35 years of technical experience have > shown me > that numbers do not necessarily tell the whole story. When I am > comparing > two cameras, I try to shoot a side by side image and I generate a > full frame > output image that is 24" X 30". I tape the images to a wall and I > evaluate > them. When I say that the DMR holds it's own against the D3 I mean > that > image from the DMR (shot in daylight) is noticeably sharper and more > saturated. The Nikon image has higher resolution, but the anti- > aliasing > filter they use does have a negative impact on sharpness, if you > don't give > it a little boost. The MTF of the Leica glass is probably higher > and when > combined with the unfiltered sensor the difference is real. > Naturally, > unsharp masking of the Nikon image can also produce very stunning > results, > but the fact is that the native image produced by the DMR is > excellent. I > really do enjoy both cameras. The DMR/R9 combination is very close > to the > film experience and it produces, with a little work, great images. > I bought > the D3 primarily for its low light performance (I shoot in the > theater) and > for the 14 to 24 mm zoom which really works well on a full frame > sensor. On > the other hand, nothing beats the combination of the DMR and 280mm > f2.8 APO > for telephoto work. Of course, one does need a truck to carry it... > > > > Take care, > > Tom > > > > > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information