Archived posting to the Leica Users Group, 2009/01/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Jan 23, 2009, at 11:10 PM, Geoff Hopkinson wrote: > > Some photos from two of my favourite Leica M lenses, The Summilux-M > 50mm f/1.4 ASPH. & the APO-Summicron-M 75mm f/2 ASPH. > Note retention of shapes even in out of focus areas. See reproduction > of highlights and rich tones in shadows. I typically shoot these > lenses from wide open to around f/4, like true believers should ;-). The > OoF > highlights of both are quite characteristic. > The larger web sizes provide a better view. > 50 wide open (film) > http://www.pbase.com/hoppyman/image/90728291 > > 50 f/5.6-ish (film) > http://www.pbase.com/hoppyman/image/91239055 > > 50 wide open (M8) > http://gallery.leica-users.org/v/gh/a/usa/f/SM9.jpg.html > > 50 f/4-5.6-ish (M8) > http://gallery.leica-users.org/v/gh/a/usa/d/SF11.jpg.html > > > 75 at f/3.8 & f/4 (M8) <http://www.pbase.com/hoppyman/image/106035165> > http://www.pbase.com/hoppyman/image/101824436 > http://gallery.leica-users.org/v/gh/a/f/IB1.jpg.html > > 75 f/2 (M8) > http://www.pbase.com/hoppyman/image/101824440 > http://gallery.leica-users.org/v/gh/a/f/Borg.jpg.html > These are good examples of what can be expected from a well-corrected lens. It's typically not the buttery smooth bokeh of a lens with under-corrected spherical aberration, neither is it the harshness of an over-corrected lens. The 50 wide open (on film) photo with OOF highlights illustrates the 'neutral' bokeh: http://www.pbase.com/hoppyman/image/90728291 The distribution of light intensity is very uniform over the entire OOF point. A 'smooth' bokeh lens will show higher intensity in the center of the disk and less toward the edges, a 'harsh' bokeh lens will show greater light intensity toward the edges and less in the center. In my experience the 180mm APO-Elmarit-R and 280mm f/4 APO-Telyt-R also show this neutral disk with even illumination. Sometimes I prefer the smoother look of the f/6.8 Telyts, especially when they turn water into liquid magic but the neutral bokeh of the APO lenses is VERY acceptable to me too. Doug Herr Birdman of Sacramento http://www.wildlightphoto.com