Archived posting to the Leica Users Group, 2009/03/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jim Nichols ASKED: Subject: Re: [Leica] NEWSWEEK MAGAZINE & PHOTOGRAPHY. Ted, This starts one thinking. At what point does one morph from photographer to PhotoShop artist?<<<<<<<<< Hi Jim, I surely don't know. Me I'm staying just as I've been for near 60 years now, a plain ordinary old fashion "documenting photojournalist" for a better word. Photoshop for me is only a simple replacement of working in wet trays and darkroom. What you see in my photographs is about as truthful as it can be. Maybe a touch of burning in a sky no different than wet darkroom operations. But the twisting, turning, manipulating and all the other phony add on bits to "make a photograph" of so called artistry by the new wave PHSP artists, has absolutely nothing to do with observing, shooting and hoping you've caught the perfect moment. The manipulators are what they are, merely PhotoShop techie operators using the medium of photography. But they are not photographers! Certainly what they turn out is hardly recognized as a "pure photographic moment!" A Photojournalist shows truth with the moment captured, at least that's been my way all these years. The PHSP artist may start out with some kind of exposure, but ends up with a purely unrecognizable image of nothing like the original. We, photojournalists, shoot for pure reality, not what's manipulated into the scene off a computer screen. When does this "morphing take place?" Possibly when one realizes they've shot crappy images and have to save their ass by mucking about using PhotoShop to make their screw up work in some fashion to hide their inability to be a photographer first! What I really do know is, the day I feel I'm fiddling things into a scene and changing what I reacted to is the day I quit! ted