Archived posting to the Leica Users Group, 2009/03/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi Folks: I came across this video today on Steve Huffman's website and thought some might be interested. http://www.stevehuffphotos.com/Steve_Huff_Photos/THE_LEICA_M8.html Scroll to the bottom of the page and you can launch the video with the upgraded M8. By the way he told me that the shutter is the original one, not the upgraded shutter. For those Canadian members out there, did anyone happen to see the CBC presentation last evening regarding the magnum photographer Larry Towell? Larry joined Magnum in 1988 and became a full member I believe in 93. He shoots with a Leica, to keep this on topic, as well as a Canon of some sort in the documentary. The documentary was entitled "Everyone has a Soul." Much of his early work was completed in Mexico concerning Mexican farm workers coming to Southern Ontario during crop season to help farmers and how this has displaced them from owning land in Mexico. He had completed more recent work in the Gaza strip which was highlighted in the documentary as well. I have seen one of his exhibits when it was in the Art Gallery in my city a few years ago and I thought his work was quite good. Larry lives on a farm with his family in Bothwell Ontario about an hour and a half from where I live. Seems from the documentary he is the salt of the earth type of guy. Anyway, the documentary made me wonder about the future of photography with regards to film and digital with respect to photojournalism work and the hanging of prints in a gallery for future interested people to view. It looked like Towell's work was all completed with film M's but the documentary was filmed in 2007 I believe and I guess a lot has changed since then. But scenes that showed him working in his darkroom made me think about the "craft" of photography in that way. Watching him dodge and burn with his hands and homemade tools seemed like an archaic vision almost with all of the digital talk these days. But I wondered if some of you folk out there know of others in the photo journalistic business that are staying with film. Is it easier for photographers traveling in some of these countries experiencing strife to use film and not bother about digital files. And then I thought about someone like Ted Grant. Ted, if you were traveling today into some of these war torn regions, would digital be of use to you or would you stay with film? As I say it made me think a lot about where we are headed with the digital era and wondered if its really worth it in the long run??? Scott