Archived posting to the Leica Users Group, 2009/04/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Manipulation of photographs have existed ever since photography was invented. Even a picture of Pierre Trudeau with a surfboard was manipulated to bring out discernible details of the subject from an underexposed image. Ansel Adams... Use of Velvia...??? The transfer function between the subject and the final image was never, and never will be linear. However, as much as I feel that the jury was foolish to disqualify the images for the reasons stated, I would have disqualified them purely on the basis of taste. The heavy, HDR-like quality, as if a Velvia transparency was printed on Cibachrome (sorry, Ilfochrome) itself is objectionable, and I found them to be quite tasteless, as most "journalistic" photographs these days are. Particularly, I find photographs that were taken with the widest or the longest lens that the photographer could afford to be uninteresting, although the unusual perspective and distortion may be eye-catching to the uninitiated. So, how about if we require all photographs to be taken with a 50mm (or 35mm on a Leica M8) lens and judged based on RAW files? How about Kodachrome 64? Where is the line drawn? Ken Iisaka (just an amateur so don't take me so seriously)