Archived posting to the Leica Users Group, 2009/05/04
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On May 3, 2009, at 11:18 PM, Geoff Hopkinson wrote: > WARNING contains geeky discussion on using Raw Convertor and DNG > files. > This thread may only be of interest to M8 DNG users and DNG > enthusiasts. > > Firstly background: > Adobe Camera Raw (later versions) provides two profiles for the M8, > one > called Adobe Standard and the other called Camera Standard. > These are applied via the Calibration tab. Lightroom 2 uses the same > profiles. > I am not finding the 'Camera Standard' very useful. It is meant to > emulate > the default jpeg settings for the camera. > I find the Adobe Standard to be quite restrained in its rendering of > primary > colours. This is not a fault but a starting point for developing. > For colour I prefer to achieve something closer to the Fuji Pro > slide film > that I used previously. > Adobe generated the profiles for each supported camera type by > photographing > a Color Checker card under 6500K light and 2850K light. > When you open a DNG file you are offered the profile/s particular to > your > camera type. The selected profile then interpolates from those two > renderings to give you the starting point for your DNG file. > Adobe offers a free DNG Profile Editor which allows you to customise > any > profile. It also has a function to duplicate the original process > with files > from your individual camera. > > I used their original method as follows: > Color checker, WhiBal (white balance card) colour temperature meter, > 2 light > sources, being bright open shade and a tungsten lamp at my helpful pro > dealers, Kayell here in Brisbane. > I used their meter,tungsten light and outside area to establish the > light as > close as possible to each ideal (6500 &2850) and made two exposures > of the > chart and card subjects. > Using Camera Raw 5.3 I opened both DNG files. I used the default ACR > settings only and saved as 16 bit PSDs in ProPhotoRGB. > I made two versions from each shot, applying the Adobe Standard and my > customised profile. > I made final web size versions of each and have posted two samples for > comparison here. > > <http://gallery.leica-users.org/v/gh/t_001/D65AdobeStandard.jpg.html> > There are a number of complications since the 8 bit Color checker RGB > numbers are not always quoted in a specific colour space, and > producing a > final web version requires conversion to sRGB too since web browsers > are not > colour mangement aware anyway. > But the inyent was to change the data as little as possible during all > processes and treat each file identically. Every monitor will differ > as > well, obviously > Exposure and white balance are not actually crucial in the target > files > although even lighting is. > However you can still see significantly different rendering in the > example 2 > that I have posted. Subjectively the customised one is more accurate. > This whole process is about the relationships between the 24 patches. > > I am happy to send my custom profile (small file) to anyone that is > interested and would appreciate any comments on methodology or from > anyone > who has also experimented here. I like the custom file, pops more...please send it to me, how do I put it into CS4?...thanks...Steve > > -- > Cheers > Geoff > 'Life's not B&W, except at both ends' > http://gallery.leica-users.org/v/gh/ > http://www.pbase.com/hoppyman > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information