Archived posting to the Leica Users Group, 2009/06/02

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Subject: [Leica] Salgado now great image/camera ?
From: kididdoc at cox.net (Steve Barbour)
Date: Tue, 2 Jun 2009 12:15:07 -0700
References: <DC4B73A4105FCE4FAE0CEF799BF84B36052E95D4@case-email.casefoods.com> <22CCD8BE-7F98-4985-BD30-86D0DE017362@mac.com>

On Jun 2, 2009, at 12:06 PM, George Lottermoser wrote:

> Dave
>
> Indeed we could discuss
> scale
> and
> context
> in art and photography
> for days.
>
> I experience Weston (and other's) contact prints,
> down to 4x5, as amazing, glowing little jewels.
>
> We've grown accustomed to experiencing Adams' prints
> as large prints, posters and huge books.
>
> Recent "art" photographs seem to "huge" no matter what or why
> as if size were the point. And, indeed, almost any photograph
> blown up to 40x60 will impress the eye for a while.
>
> My sculpture professor said,
> "the human head should never be sculpted larger than life size;
> and preferably slightly smaller."

and I recall that Camille Claudel believed this, strongly...


Steve


>
> Choosing the appropriate size for a photographic image,
> painting, drawing, sculpture, et al is as important an aesthetic  
> decision
> as all the other decisions involved in the process.
>
> Regards,
> George Lottermoser
> george at imagist.com
> http://www.imagist.com
> http://www.imagist.com/blog
> http://www.linkedin.com/in/imagist
>
> On Jun 2, 2009, at 10:05 AM, David Rodgers wrote:
>
>> George,
>>
>> Good point. It's not practical to do much micro dodging or burning  
>> in a
>> 4x6.
>>
>> I've always been somewhat fascinated by print size; more specifically
>> why some images work better printed smaller, and others work better
>> printed larger. Sure there are general rules, like large negs make
>> better large prints, but there are factors that go well beyond that.
>> I've seen gorgeous 5x7 contract prints. I've seen gorgeous 24x36 inch
>> prints from 35mm.
>>
>> Making large prints from small negatives isn't easy (and it's not
>> something I've ever been good at). The margin for error anywhere  
>> along
>> the workflow is slim.
>>
>> I'm referring mainly to BW film. There's nothing like a big  
>> enlargement
>> of a well composed, well focused, well developed, well enlarged 35mm
>> Tri-X negative. There's a character -- due to grain or other  
>> factors --
>> that can't be duplicated with digital. Or maybe it can and I've  
>> just not
>> seen it.
>>
>> A really good image, though, will work in just about any print size,
>> although most negs have technical limits. If a 16x20 from 35mm looks
>> good, someone is doing everything right.
>
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In reply to: Message from drodgers at casefarms.com (David Rodgers) ([Leica] Salgado now great image/camera ?)
Message from imagist3 at mac.com (George Lottermoser) ([Leica] Salgado now great image/camera ?)