Archived posting to the Leica Users Group, 2009/10/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ernie, >> People often ask how can I shoot film esp. on vacation as I won' t know if "the shot" came out. Then it's a discussion of bracketing which causes their eyes to glaze over. I'm doing a project with Kodachrome and I rather like the suprise I get in the mail box when I get a package from Parsons, Kansas.<< The first thing that goes when I start shooting digital is knowing whether or not the shot came out. I don't rely on my intuition. I chimp. Sensing an image is like touch in golf. You can only get it from experience. In golf, after a layoff you can come out and still drive the ball a good distance and be fairly accurate. But your short game -- chips, putts, flops shots and pitches that require finesse and a good sense of feel -- goes all to heck and it takes a while to get it back. When I'm shooting lots of film the moment I press the shutter I pretty much know if I got it. Conversely, when I'm shooting a roll after a long layoff, I have to concentrate on things that should be automatic. I end up missing things, like focus, or exposure. Thus I can see why people, after they move to digital photography find it difficult to go back to film on any level. But, for amateurs at least, there are elements to enjoy with film that you won't find in digital photography. Also, say what you will about ink jet and silver prints being indistinguishable, but the ability to photograph well with film, as well as silver printing, is becoming rarer all the time. There's perceived value in scarcity, assuming the content has equal merit. Dave R