Archived posting to the Leica Users Group, 2010/07/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I'm making an effort to get back to printing. I think I've printed more in the last few weeks than in the last few years (darkroom closed about 5-6 years ago). For b&w, I'm printing on Epson Velvet Fine Art 13x19 with the QuadTone RIP software, with the curves set to slightly warm (55% warm curve, 45% cool curve, not split-toned). One epiphany was that I didn't have to mat and frame every image - a 13x19 portfolio box(es) with interleaf tissues works fine (the matte paper is very fragile). Here are two from today that I have not printed since the darkroom days: http://gallery.leica-users.org/v/kcarney/angel.jpg.html http://gallery.leica-users.org/v/kcarney/mesa+verde.jpg.html As I recall, the "angel" photo was with a CV rangefinder and Nokton 50mm 1.5 lens. The photo of the ruins at Mesa Verde was with a Linhof Technica and, I think, a 210mm Schneider lens and TMax 100 4x5 developed in TMax developer 1:9. I like both of the prints better than what I could do in the darkroom. I'm still not sure what to do about color. My copy of ImagePrint RIP is for XP, and it is unable to find my printer (even though attached and not shared) in virtual XP in Windows 7. Plus it is 6 years old and no doubt the paper profiles have changed over the years. I guess bite the bullet and buy profiling gear. C&C welcome as always. Ken Carney Oklahoma City, Oklahoma