Archived posting to the Leica Users Group, 2010/08/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Street photography might work with a medium to long lens, but I don't think it would work at all for documentary photography . I like to get close to people and I think that's necessary. A long lens seems sneaky, somehow - more like paparazzi. Tina On Mon, Aug 30, 2010 at 2:17 PM, George Lottermoser <imagist3 at mac.com>wrote: > If a street photographer worked with a long lens, > and with the same respect and depth of knowledge for his subject > as Doug Herr shows for his critters, > I imagine we'd see equally strong work. > All the rules: > wide for street and architecture > medium long for portrait > long for wild life, stage and sports > etc. > have been and will continue to be broken > by the serious photographer > who's seriously searching for their own voice. > > IMO YMMV > > Regards, > George Lottermoser > george at imagist.com > http://www.imagist.com > http://www.imagist.com/blog > http://www.linkedin.com/in/imagist > > On Aug 30, 2010, at 1:01 PM, Chris Saganich wrote: > > > If human beings showed-up for me the same way that wildlife shows-up for > me then a long lens it is. I like safety. Often we treat people we don't > know more like wildlife or the streets we are on as untamed and dangerous. > I never felt that HCB images portrayed people or places that way. The > people and the places seemed very natural and it is obvious that is how > they > showed-up for him. Other street images seem like the photographer was > shooting wildlife in a dangerous place. > > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > > -- Tina Manley, ASMP www.tinamanley.com