Archived posting to the Leica Users Group, 2010/12/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I'm not Harrison either, but I find the micro 4/3 very useful and a compliment to my M8. I now use a Panasonic G1 for most SLR-ish things, and when I want to shoot a quick JPG snap. I bought the G1 for its viewfinder, rather than go for the smaller but viewfinderless GF1. The kit zoom is very good--slow, but better than the kit zooms that come with most low to medium end DSLRS. The 40/1.7 is stellar. The camera's image acuity and dynamic range are not up to Leica M8/9 standards, but quite decent. You can put almost any lens you want on it. Now, manual focusing with 3rd party lenses is dicey for wide lenses, and it's not for fast situations. I've used the G1 with an Olympus OM 50/1.4 in the theatre, with good results. A few quick-and-dirty test shots using a 50/3.5 OM macro looked promising. I could see that the VC 50/1.5 Nokton and Summilux ASPH rendered noticeably sharper than the 50/1.4 OM (all wide open), so the sensor can show differences at that level. When I went to British Columbia, Canada this summer, I took the G1, kit zoom, 40/1.7 and my VC 90/3.5 Lanthar as a "poor man's 180" telephoto. I was pleased with the results. Focusing the 90 took time, but with the 10x electronic magnifier in the viewfinder, I could actually focus *better* than with a real DSLR. As Nathan mentions, the longer the lens, the more "jittery" the viewfinder image becomes, which can make focusing a slow process. On a tripod, it would be easier. Propping your elbows on something helps. I try to keep the shutter speed up because the G1 has no image stabilization, perhaps the one of the Olympus m-4/3 bodies with IS would do a bit better. The main issue was not image quality, it was shutter lag and viewfinder blackout. If I had time to focus and the subject wasn't fast-moving, the G1 was just fine. Here are a few samples with the G1 and 90/3.5. <http://www.flickr.com/photos/24844563 at N04/4968558728/sizes/o/in/photostream/> <http://www.flickr.com/photos/24844563 at N04/4931633772/sizes/o/in/photostream/> <http://www.flickr.com/photos/24844563 at N04/4931633776/sizes/o/in/photostream/> <http://www.flickr.com/photos/24844563 at N04/4995371422/sizes/o/in/photostream/> I do have to say, though, that the real joy of micro-4/3 is when you use the native lenses and have autofocus. Macro or telephoto with a 3rd party lens is quite doable, but with some PITA factor. I personally would not use a m-4/3 camera with a Leica lens as a street shooter. As a travel camera, with a Leica 50 or 90 for occasional telephoto work, it's great. --Peter > 2010-12-28-22:35:40 Geoff Hopkinson: > > Harrison ... Do you consider that the 90 with adapter on your G2 > > gives better results than cropping the same FoV from that lens on > > your M9? You are able to manage critical focus effectively? > > I'm far from being Harrison, but I'll jump in here anyway. I've used > various Leica glass on the DMC-GF1, and my experience is that: > > - A micro-4/3-sized crop from a *similarly exposed*, *properly focused* > M9 photo with the same lens always seems to look better than I'd > get from the GF1. The M9, despite the rep CCD sensors have in some > circles, is definitely lower-noise in dim light than the GF1, and > in good light the pixels just seem to... look better. > > - The micro-4/3, on the other hand, excels at nailing exact focus > (since you can focus by eye with the magnified actual pixels from > the sensor). This is something I'm not always able to count on > with an M and fast lenses 75mm or longer. You can also compose > with SLR precision, and you get an electronic light boost when > peering through the dim. And note that the currently-rare, > just-coming-out DMC-GH2, while sold largely for its video > capabilities, is a higher-resolution and lower-noise still camera > than its predecessors. > > -Jeff >