Archived posting to the Leica Users Group, 2011/01/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On 1/15/2011 5:46 PM, Alan Magayne-Roshak wrote: > On Sat, 15 Jan 2011 Ken Carney<kcarney1 at cox.net>wrote: > >> I was working on something last night and noticed that Exposure 3 has: >> Kodachrome 1936-1962 >> Kodachrome II 1962-1974 >> Kodachrome 25 >> Kodachrome 64 >> Kodachrome 200 >> There should be something there for everyone. I have no idea how >> accurate these are, but then I if I don't like the in-camera result I >> just poke around until I find a "film" that seems to suit the image. >> Kodachrome 200 and Velvia 50 seem to come up frequently. >> Ken > ================================================================================================== > If I can't shoot Kodachrome, I don't want to pretend I'm using it. I > don't like the idea of simulating film. Instead, I'll let my color > pictures look digital because that's what they will have to be, and use > B&W film when I want monochrome (which is most of the time), since I like > using my film cameras more than any digital camera I have access to. > > Alan > > Alan Magayne-Roshak, Senior Photographer > UPAA POY 1978 > University Information Technology Services > University of Wisconsin-Milwaukee > amr3 at uwm.edu > http://gallery.leica-users.org/v/Alan+Magayne-Roshak/ > > _______________________________________________ > Leica Users Group. > See http://leica-users.org/mailman/listinfo/lug for more information > Right, I would not want to present a photo as Kodachrome or whatever unless it was, just as I would not want to present an inkjet print as one of my platinum prints (although, once behind glass.......). As I mentioned, I just use the PS plug-ins to get the effect I like for a particular image - it might be Exposure 3 "film stock" or something else. Fortunately, I am just an amateur who has fun with his hobby and does not have to be concerned with strictures. This behavior is probably traced to the darkroom, where I took to things such as burning and dodging, split filtering, unsharp masks and such. I know what you mean about the film cameras. I still have my 4x5 and 8x10 outfits, and some 120 and 35mm, and can't bring myself to sell them. Ken