Archived posting to the Leica Users Group, 2012/04/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]On Apr 03, 2012 at 09:56 AM -0700, Kay Yang wrote: >The biggest question I have is that, if such a camera was made, would it >have only one look or would it have a list of "films" for you to choose >from to get different looks? In my mind, the look of B&W films primarily comes from three things: spectral sensitivity, characteristic curve (contrast if you will), and grain. Sharpness is a function of grain, or at least very intertwined with it. Digital sensors have the grain/sharpness issue essentially fixed by pixel count and distribution. Likewise, the characteristic curve is essentially baked into the sensor. Spectral sensitivity is determined by chip itself and the filters in front it; don't see any real way of changing that on the fly if it's a monochrome sensor. So I would think, no, you wouldn't have a choice of looks in camera. The RAW file would look like the RAW file - end of story. Unless they did grain simulations or something to the jpegs the camera produced, but that can easily be done at home on the RAWs. Same goes for the tone curve. You could always throw a colored filter on in front of the lens if you wanted a different spectral sensitivity. In the end, it would be like shooting with a very high resolution and low grained film, probably with typical panchromatic spectral sensitivity (think Tri-X, T-Max, Delta, etc.), not exactly like any of those but not dramatically different. And it would have changeable ISO speeds. Any 'look' that you'd want to achieve would be done in post. Lastly, there's always the possibility that a company might let the final camera have an extended IR range or something like it, with a removable filter (probably in front of the lens) to give you panchromatic spectral sensitivity. But who knows. It all depends on how they might spec the camera, if they actually do it. And it's not clear that they will actually do it.