Archived posting to the Leica Users Group, 2013/03/25

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Subject: [Leica] Moonrise - Ansel Adams
From: chris at chriscrawfordphoto.com (Chris Crawford)
Date: Tue, 26 Mar 2013 00:44:14 -0400

Moonrise wasn't in Yosemite, it was in Hernandez, New Mexico. Hernandez is
not a town, its a collection of rundown trailers around an old church. I
visited it one day when I lived in Santa Fe. The place is about an hour
drive north from Santa, if I remember right.

I shot this photo of the church Adams photographed:
http://chriscrawfordphoto.com/chris-details.php?product=1274

Adams shot it from the highway, which is behind the church, while I made
my photo from the front of it. The crosses and gravestones he saw behind
the church were not visible when I was there because the whole churchyard
was overgrown with tall weeds when I was there in the summer of 2006.

-- 
Chris Crawford
Fine Art Photography
Fort Wayne, Indiana
260-437-8990

http://www.chriscrawfordphoto.com  My portfolio

http://blog.chriscrawfordphoto.com  My latest work!

http://www.facebook.com/pages/Christopher-Crawford/48229272798
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On 3/25/13 10:56 PM, "Sonny Carter" <sonc.hegr at gmail.com> wrote:

>But Adam, They could paint three dots on the ground at Yellowstone,
>and at the appointed hour with an identical camera and identical
>plates and, well, you get the picture, Actually, I mean, you would not
>get the picture.  Moonrise is a non-repeatable.
>
>You might come close, but why would you want to?   So you might have
>gotten a better result shooting wider, or faster or at a different
>ISO.  The conditions are gonna be different next time unless you are
>in a studio.
>
>The whole point of what we do is to see something and show someone
>else what we see.
>
>Look Adam, See what I see!
>
>Behold!    Look!  See!   Emblepo!
>
>There are  lots of variables in Photography, what we do out there is
>try to get them right.
>
>
>
>
>On Mon, Mar 25, 2013 at 9:38 PM, Adam Bridge <abridge at mac.com> wrote:
>> Maybe for you guys who have been shooting for ages. For us neophytes
>>that information is actually instructive: I look at an image, mostly I
>>remember what I was trying to achieve. How did I shoot this? Hmmm,
>>interesting choice but I might have gotten a better result shooting
>>wider, or faster, or at a different ISO. There are lots of variables in
>>photography. Not all of us are adept at getting them right.
>>
>> I don't think having that available is harmful or useless. I find it
>>invaluable.
>>
>> I've found a somewhat snotty vibe to the responses to this post mostly
>>because Nathan's original post was a bit edgy and judgmental since he
>>dissed the entire idea of metadata from the git-go.
>>
>> Metadata are a tool, just as the captured image is a tool, to making a
>>better image the next time.
>>
>> That's the important part.
>>
>> Adam
>>
>> On Mar 24, 2013, at 2:21 PM, Nathan Wajsman <photo at frozenlight.eu>
>>wrote:
>>> techhnical details are useless at best, and harmful at worst.
>>
>>
>> _______________________________________________
>> Leica Users Group.
>> See http://leica-users.org/mailman/listinfo/lug for more information
>
>
>
>-- 
>Regards,
>
>Sonny
>http://sonc.com/look/
>Natchitoches, Louisiana
>
>USA
>
>_______________________________________________
>Leica Users Group.
>See http://leica-users.org/mailman/listinfo/lug for more information




Replies: Reply from kcarney1 at cox.net (Ken Carney) ([Leica] Moonrise - Ansel Adams)
Reply from richard at richardmanphoto.com (Richard Man) ([Leica] Moonrise - Ansel Adams)
Reply from sonc.hegr at gmail.com (Sonny Carter) ([Leica] Moonrise - Ansel Adams)
In reply to: Message from sonc.hegr at gmail.com (Sonny Carter) ([Leica] Technical detail--why?)