Archived posting to the Leica Users Group, 2013/04/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I walked by the Kodak Colorama in New York's Grand Central Station every workday for 30 years on my commute from upstate NY to Gotham. After struggling with my own 16 x 20s I was more than a little impressed so I investigated the technology behind the Colorama. The actual size of the image was 60 feet by 18 feet and was composed of 41 strips of 19 inch by 20 foot Ektachorme display film. The strips were fastened together with transparent tape to make the full display. Originally the image was photographed with view cameras, usually specially constructed Deardorfs. But as films got better, original images were made with Linhof medium format cameras. Eventually a 35 mm camera was used primarily to show that it could be done. Making a Colorama image from a 35 mm Kodachrome slide requires a 480 times linear enlargement. Making a 16"x24" print requires only a 16 times linear enlargement. Fortunately for Kodak, the closest one could get to the Colorama was about 60 feet. From this distance the smallest details of the image needed to be only .4" in size to appear perfectly sharp. Minox once used the same strategy in photo shows when displaying images taken with the tiny camera. Big prints enlarged from the 8x11 mm negatives, when viewed from four feet, looked perfectly sharp. In the context of today's digital cameras if each element of the image were considered a pixel, the Colorama image would require about one megabyte. Even halving the pixel size for better quality, the Colorama image would require only 8 megabytes. Just think of how big an image a modern Leica digital or the latest Canon DSLR could produce if held to the same Colorama standards. Larry Z