Archived posting to the Leica Users Group, 2013/08/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Forget about all that nonsense about flapping hummingbird's wings and moving fan blades. You can't see speeding bullets either. If we were trying to truly depict reality, any photo which shows a hummingbird's wings clearly is false. George Lottermoser sums it up best by saying: "two dimensional visual art relies on convention, creativity and technology." Any two dimensional photo is an artifact which requires considerable learning to interpret. Most discussions of photographic "truth" tend to obscure the fact that ALL photographs are abstract representations of an external world. When Margaret Mead showed Tahitian natives black and white photographs of themselves and their village, they rotated the photos this way and that, shook their heads, and handed them back. "Nice designs", they said, "but what are they?" Mead then realized that photographs were such abstractions that only long experience enables their interpretation. Closer to home, your dog does not jump into the TV screen to frolic in the fields shown in the dog food commercials. Neither does it growl or flee from the TV intruders in your household. The image on TV is not the real world to the animal but a flickering pattern on an illuminated tube. We see the image as a depiction of reality because our intelligence and experience enables us infer the scene from its abstract representation. The animal does not. The article that George cites is the best short piece I have seen on the depiction of motion in art. Read it. http://www.sophia.org/tutorials/elements-of-art-movement-and-time My comments are based on the feeling that most LUGGERS are so immersed in two dimensional image making that they assume the learned conventions of photography represent the world as seen by the human eye. I am nearsighted. When I remove my glasses EVERYTHING is blurred. When I wake up in the morning am I to assume that the world is in violent motion which stops the moment I put on my glasses? I am not a zealot on the topic. If you look at my own submissions to the Motion contest, you will see that I use both techniques, blur and content, to imply motion. Horses for courses I say. <http://gallery.leica-users.org/v/Larry+Z/Dive_001.jpg.html> <http://gallery.leica-users.org/v/Larry+Z/Basketball.jpg.html> Larry Z