Archived posting to the Leica Users Group, 2014/01/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Different requirements, 35mm documentary vs 120 or sheet film 'fine art' ;-) I have seen some well-known negatives, so badly exposed that I knew I was not a good enough printer to get the final prints I had seen out of it. My negs printed straight onto Oriental Seagull/Record Rapid with full tonal range, any dodging or burning was for effect rather than recovery ;-) john -----Original Message----- John McMaster wrote: > You are correct Lluis, over 16 years since I last developed a B&W film! > Zone system all the way, spotmeter, exposure tests for base density > then development tests for highlights all measured on a densitometer - > how quickly I forgot :-(> Hi John, When I read about the shooting methods of many of the crew I become amazed I ever got an exposure during my 65 years of exposing film on any assignment in my life? MY METHOD......"OBSERVE - SHOOT!" :-) KISS! :-) Of course many times I took light meter readings, generally landscapes and available light photos of my children. Or working a crowd situation? I would take a reading, then see what the camera was reading and if they were close? generally were... SHOOT! Letting camera set and go with what it felt fit to use. Imagine me shooting in an operating room and taking meter readings for every frame when on the last book. WOMEN IN MEDICINE! Where I exposed 500 rolls of tri-x at ASA 800 using three M7's and a couple of R8's only a quick peak at the shutter speed red in the view finder. If it looked cool? 99.9% of the time it was "CLICK!" So you can imagine my surprise of many of you lads and all the testing and checking you went through. The zone system? My interpretation of the zone system? That's the demilitarized zone between the 2 Koreas and all you need to know about that?????? DON'T GO THERE! ;-) I could never understand about all the time wasted figuring it out unless you were shooting rocks and ferns and peeling paint? REAL LIFE MOMENTS? And shooting 36 frames nearly every frame under various light conditions? In any event as many of the LUG CREW who go through all the digital techie stuff, I still try to keep it KISS as much as possible as I'm shooting . It'll still be my method as I begin shooting with a new book designer and editor next week producing a book on the University of Victoria's School of Medicine and it's ten year celebration. However I'm in awe of the folks who have the patients for all the extra "checking" and adjusting you go through in capturing your exposures. In deed great admiration! HENNING RESPONDED: Subject: Re: [Leica] Comparing B&W M9/MM "I would say expose for the highlights, because if they're overcooked you'll never see them again. Process (develop) for the shadows. This is closer to how one treated slide film and in that sense it's like all digital files. With the MM files you just have more DR and can easily pull things out from the shadows when necessary.<<<<<<<<<<<<< I suppose one could offer: "What works for one shooter is total confusion to another?" BOTTOM-LINE? "Whatever ones method is, as long as the end result is a cool dude photo? Who cares how you capture it? Unless a special effect is required for a similar looking image... IE: SWISHY - PAN IMAGES CREATING SPEED APPEARANCES?" cheers, ted