Archived posting to the Leica Users Group, 2014/02/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]That was my take on the book, disappointing. I remember seeing his 'Workers' exhibition in 1993/4ish and you could see when he moved from just shooting black and white to getting good negs/prints (exposure and processing) in the late 1980s... john ________________________________________ The photos in that article look great. His recent exhibitions have been mixed in terms of image quality-some I have seen looked over manipulated, while others were great. In general I find it harder to see through/past his technique as his career progresses. A few of the shots in his book *Genesis* look almost cringeworthy to me. Marty On Tuesday, 4 February 2014, Tina Manley <images at comporium.net> wrote: > I think it's a darkroom paper. They say printed on silver paper in the > darkroom. > > Tina > > > On Mon, Feb 3, 2014 at 5:06 PM, George Lottermoser < > george.imagist at icloud.com <javascript:;>> wrote: > > > > > On Feb 3, 2014, at 2:29 PM, Tina Manley wrote: > > > > > Salgado explains why he switched to digital, why he still makes > > negatives, > > > and why he prints on Ilford Gold Fiber Silk paper: > > > > > > > > > http://www.ilford.com/en/community/ilford-masters/sebastiao-salgado/interview/ > > > > They're making negatives to print on inkjet paper? > > seems like a long way around to get back to a digital inkjet printer > > > > Regards, > > George Lottermoser > > george at imagist.com <javascript:;> > > http://www.imagist.com > > http://www.imagist.com/blog > > http://www.linkedin.com/in/imagist > >