Archived posting to the Leica Users Group, 2014/07/19

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Subject: [Leica] IMG: Protesting "The Mikado"
From: wildlightphoto at earthlink.net (Doug Herr)
Date: Sat, 19 Jul 2014 09:38:05 -0700 (GMT-07:00)

I can't (and won't) speak for anyone else but I'd rather be though of as an 
individual than as a bearded male anglo/austrian.

Doug Herr
Sacramento
http://www.wildlightphoto.com




-----Original Message-----
>From: Mark Rabiner <mark at rabinergroup.com>
>Sent: Jul 19, 2014 5:40 AM
>To: Leica Users Group <lug at leica-users.org>
>Subject: Re: [Leica] IMG:  Protesting "The Mikado"
>
>I'm writing about how how the silent majority here in the US would presume
>to say what's ok for Asians. And other minorities as well.  "They should not
>be so over sensitive. They should let us define them."  What would or should
>be insulting to them and what should not. And what people call themselves.
>I am pretty clearly writing a pro diversity and individuality message build
>on respect for other peoples.
>We is me.  "We" are the bad guys in the story. And when its explained to me
>clearly why the word "we" is objectionable I will of course deny ever having
>used it. And will use "Us" instead.
>
>The problem of course is getting a consensus. I can't claim to speak for
>bland people who look like me here in the US and I imagine you can't claim
>to speak for all Asians or Japanese people in Canada. We just have our
>opinions.We have internet search engines..
>
>Its great to hear your opinion on the non offensiveness of The G&S operetta
>The Mikado. It would be great if your opinion was part of a real consensus
>but I think in the next few years we'll find even more clearly that it is
>not. I think we'll find that a great many Asian people are offended by the
>play and have been for a long time. As this is not new news its old news....
>We've got this thing called the internet now so its an easy thing to check
>out. 
>
>The first 4 Goggles:
>
>1995
>http://web.stcloudstate.edu/scogdill/mikado/racism.html
>
>2024
>http://seattletimes.com/html/opinion/2024050056_mikadosharonpianchancolumn14
>xml.html
>
>2013
>http://www.nikkeiview.com/blog/2013/05/its-time-to-take-the-offensive-yellow
>face-of-the-mikado-off-the-stage/
>
>2000
>http://brightlightsfilm.com/30/topsyturvy1.php#.U8pghhzeonY
>
>" that still leaves one question unanswered: Why would Mike Leigh, known for
>his astute films about social issues, revive The Mikado, even though modern
>audiences might recoil from the content? As the opera rekindled Gilbert and
>Sullivan's partnership and as their fans have treasured this opera most, it
>makes sense that Leigh's tribute would center on The Mikado. There's no
>obvious way in which he could have distanced himself from the material and
>commented on it ironically. But the film embraces the opera too
>enthusiastically, as if nothing had changed in 115 years. As this is untrue,
>Japanophile viewers of Topsy-Turvy may experience a large disconnect."
>
>
>
>
>On 7/19/14 7:17 AM, "Ken Iisaka" <ken at iisaka.com> wrote:
>
>> Who the hell are WE, Mark??? This is one of the most insulting I have 
>> read on
>> LUG. It is as if "WE" do not include the likes of me. Besides, "Asians" 
>> make
>> up about 60% of the global population, who the heck are WE anyway?
>
>As a US
>> resident of Japanese heritage with Canadian citizenship, I never thought 
>> of
>> Mikado as being insulting towards Japanese any more than Madama Butterfly 
>> is,
>> though portraiture of the Japanese culture is certainly na?ve.
>
>However, there
>> had been (and are) movies in particular which are categorically offensive
>> because of the intent: Breakfast at Tiffany's being one of the most 
>> egregious
>> and best known example. Compared to this, both Mikado and Madama 
>> Butterfly are
>> quite adorable in their misconception and misunderstanding. 
>
>We do have an
>> ugly history, and it is quite inevitable that we have things that are
>> offensive to some. Is the "Swedish chef" in Sesame Street offensive to 
>> Swedes?
>> Merchant of Venice to Jews? Finnish in Monty Python? Polish and Newfie 
>> jokes?
>> Yes, but so what?
>
>I have better things to worry about. 
>
>
>Sent from my
>> iPhone
>
>> On Jul 19, 2014, at 2:19 AM, Mark Rabiner <mark at rabinergroup.com>
>> wrote:
>> 
>> The issue is not how WE think about it but what the Asian people
>> want.
>> If Asian people in what appears to be as in some kind of consensus
>> are
>> giving the show it a thumbs down than its a play which is more that
>> dated it
>> should probably not be done.  I'm wondering how many if any were in
>> the
>> audience.
>> Flower Drum Song we all thought was a great show but we
>> started to figure it
>> out earlier on realize  is was more than just benignly
>> dated and its really
>> no longer done any more. I just checked.
>>
>> http://en.wikipedia.org/wiki/Flower_Drum_Song
>> I still have my LP somewhere.
>> Its about worn out. I can sing the whole show
>> for you by heart every verse
>> I'm pretty sure. But would be embarrassed to do
>> it within earshot of an
>> Asian friend.
>> " Chop suey, chop suey!
>> Good and bad, intelligent, mad, and
>> screwy." that was  me singing.
>> I'm going to have to stare at a whirling
>> black cube.
>> As much as I hate to say or think it the same might happen with
>> "The Mikado"
>> which I have also loved for decades and have recently seen in a
>> slick
>> production in Portland OR. And have often sung along to my CD's of it
>> I have
>> two different versions of much of it. And pretty  much have all the
>> lyrics
>> memorized.
>> "IF  YOU WANT TO KNOW WHO WE AAARE" that was me singing
>> just now. And is as
>> far as I'm going to go.
>> We just don't get to define
>> other peoples identity issues. Only our own. I
>> should speak for myself. We
>> might decide tomorrow that "white people" is
>> offensive to our ears and we
>> want to be called the "evil beige people". I'm
>> sure it would catch on with
>> no controversy.
>> 
>> About decade or so ago black people decided in a kind of
>> consensus that they
>> didn't what to be called black people any more.  The
>> wanted to go with the
>> term "African Americans" Lots of white people had big
>> opinions about it on
>> tv news shows  but in the end everyone knew it was just
>> now up to us. It was
>> up to them.  Turns out the term is still used but way
>> less often. Whoopi
>> Goldberg said she was not going to change. Nobody wants
>> to mess with her.
>> That could be it.
>> 
>> 
>>> On 7/19/14 4:42 AM, "Peter A.
>> Klein" <pklein at threshinc.com> wrote:
>>> 
>>> This pair was protesting and
>> handing out leaflets in front of the
>>> Seattle Gilbert and Sullivan Society's
>> production of "The Mikado," which
>>> they regard as "Yellowface" and racist. I
>> accepted their leaflets, but
>>> when I took out my camera, they concealed
>> their faces.
>>> <https://www.flickr.com/photos/24844563 at N04/14689190055/>
>>>
>> 
>>> On Monday, a Seattle Times opinion page editor slammed the production,
>>>
>> which she hadn't seen. This was followed by two radio interviews in
>>> which
>> she repeated her charges of "Yellowface" and racism. An Internet
>>> flamefest
>> followed, including calls for a boycott and shutting down the
>>> show. There
>> were fears that the performance would be disrupted, but that
>>> didn't happen
>> Friday night, and only these two showed up.
>>> 
>>> If you're interested in
>> reading more about what's going on, Google these
>>> words: seattle mikado
>> gilbert sullivan.  You'll find all the relevant
>>> stuff on the first two
>> pages.
>>> 
>>> Full disclosure:  Yours truly is not unbiased. I love Gilbert
>> and
>>> Sullivan, I love "The Mikado," and I played bassoon in the company
>> back
>>> in the 1980s.  If this were a realistic play with Asian characters
>> being
>>> played by whites and/or mugging offensive stereotypes, I would be
>>>
>> sympathetic to the concerns. But that's not what "The Mikado" is. It's
>>>
>> Brits (or Americans) playing Brits playing dress-up, but mostly acting
>>> like
>> caricatures of upper-class Brits of 130 years ago.  Nobody wears
>>>
>> Asian-style makeup, except for Katisha (the fearsome contralto
>>> character),
>> who is made-up Kabuki-style. The G&S Society has a tradition
>>> of color-blind
>> casting. No Asian-Americans auditioned for this show,
>>> there are 38
>> Caucasians and 2 Hispanics on stage. There are several
>>> Asian-Americans on
>> the stage crew, one in the orchestra pit (a friend of
>>> mine), and one on the
>> society's Board of Trustees.
>>> 
>>> --Peter
>>> 
>>> 
>>>
>> _______________________________________________
>>> Leica Users Group.
>>> See
>> http://leica-users.org/mailman/listinfo/lug for more information
>> 
>> 
>> 
>> 
>>
>> -- 
>> Mark William Rabiner
>> Photographer
>>
>> http://gallery.leica-users.org/v/lugalrabs/
>> 
>> 
>> 
>>
>> _______________________________________________
>> Leica Users Group.
>> See
>> http://leica-users.org/mailman/listinfo/lug for more
>> information
>
>_______________________________________________
>Leica Users
>> Group.
>See http://leica-users.org/mailman/listinfo/lug for more information
>
>
>
>
>-- 
>Mark William Rabiner
>Photographer
>http://gallery.leica-users.org/v/lugalrabs/
>
>
>
>_______________________________________________
>Leica Users Group.
>See http://leica-users.org/mailman/listinfo/lug for more information



Replies: Reply from ken at iisaka.com (Ken Iisaka) ([Leica] IMG: Protesting "The Mikado")